Friendly persuasion 1956 - Pacifism put to the test during the Civil War

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IMDB Rating: 7,5

Director: William Wyler
Main Cast: Gary Cooper, Dorothy McGuire, Anthony Perkins, Richard Eyer, Robert Middleton, Phyllis Love

"Friendly Persuasion is a charming, sensitive tale of a family of Quakers that attempts to maintain their pacifist ideals amid the turmoil of the U.S. Civil War. Best-known for playing quiet, understated characters who use violence when pushed too far, Gary Cooper gets the opportunity to explore a more peaceful resolution - though the film occasionally suggests that no person can be completely pacifistic. The tech credits are solid, as should be expected for a film directed by William Wyler; of particular note are Dimitri Tiomkin's score and Dorothy Jeakins's costume design. Though the film tends to exaggerate Quaker speech, the performances are convincing, and the screenplay (by blacklisted Michael Wilson) does a good job of transferring Jessamyn West's story to the screen. The film received six Oscar nominations, including Best Picture, though it did not win in any category." - www.allmovie.com

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High noon 1952 - The Western classic shot in real time

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IMDB rating: 8,1

Director: Fred Zinnemann
Main Cast: Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Otto Kruger, Lon Chaney Jr.

"This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon - the film is shot in 'real time', so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the 'adult western', High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, 'Do Not Forsake Me, O My Darling' sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists." - www.allmovie.com

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The pride of the Yankees 1942 - An entertaining and inspiring baseball biography of a legendary player

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IMDB rating: 7,8

Director: Sam Wood
Main Cast: Gary Cooper, Teeresa Wright, Babe Ruth, Walter Brennan, Dan Duryea

"Historically, only a few baseball movies have done well at the box office, mostly because audiences are lukewarm to portrayals of heroes of the diamond. Sam Wood's The Pride of the Yankees, however, is an exception, and an improbable one: neither producer Samuel Goldwyn nor star Gary Cooper knew anything about baseball, and it seemed unlikely that anyone was going to pay money to see a story in which everyone knew the outcome. Goldwyn may not have understood the sport (he thought players got promoted up through the bases, from first base to third, and couldn't understand why Gehrig was such a great player if he was 'only' a first baseman), but he understood the public better than almost any other producer. The poignancy of Lou Gehrig's story - he became a sports hero out of a modest upbringing only to see fate strike him down, and then accepted that fate with heroic stoicism - might've played well at any time, but the fact that America was heading into a war in which people with would be sacrificing themselves made the material even more topical. Cooper portrayed Gehrig with perhaps even more dignity than the real man possessed, and his romantic scenes with Teresa Wright as Gehrig's wife were warm and honest. Director Wood's understated, unpretentious telling of the tale captured the subject of baseball but also provided a snapshot of Americans in general." - www.allmovie.com

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Meet John Doe 1941 - Capra's dark and powerful comedy about the power of the press

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IMDB rating: 7,7

Director: Frank Capra
Main Cast: Gary Cooper, Barbara Stanwyck, Edward Arnold, Walter Brennan, Spring Byington, James Gleason, Gene Lockhart, Rod La Rocque

"Meet John Doe is the Frank Capra movie that spoke most directly to the mood of the United States at the time that it was made. It's a fundamentally pessimistic film, without a positive resolution, and also an astonishingly mature movie - virtually groundbreaking as a 'message' movie aimed at a mainstream audience. Appearing in 1940, it closed out a decade that had been dominated by despair, disillusionment, dislocation (economic and personal), and desperation, a period characterized by a reliance on often inept government officials or duplicitous would-be leaders. All of these elements are present in Meet John Doe from its opening scene (a mass layoff at a newspaper), and they get addressed over and over again as the plot unfolds. The movie also had the courage to put some very attractive stars - Gary Cooper and Barbara Stanwyck - in some very unattractive roles, as two people putting over a huge fraud on a public that trusts them. It wasn't considered a very successful film in its own time, being a little too dark and mature amid the ominous reality of the European war being waged at the time, but it is probably the best of Capra's 'message' pictures and his best slice-of-life drama other than It Happened One Night." - www.allmovie.com

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https://archive.org/download/meet_john_doe/meet_john_doe_512kb.mp4

Sergeant York 1941 - A great war movie with excellent performance by Cooper

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IMDB rating: 7,8

Director: Howard Hawks
Main Cast: Gary Cooper, Walter Brennan, Joan Leslie

"Sergeant York is among the best of war-time propaganda films, with a superb performance by Gary Cooper in the title role. It was natural that, as the United States entered World War II, Hollywood would want to make a movie about the life of Alvin York, the most decorated U.S. soldier in World War I. The real-life York set several conditions for the production: (1) That the film contains no phony heroics, (2) that Mrs.York not be played by a Hollywood 'glamour girl' and (3) That Gary Cooper portray York on screen. All three conditions were met, and the result is one of the finest and most inspirational biographies ever committed to celluloid. It is a tribute to the skills of director Howard Hawks that, removed from its historical context, Sergeant York remains one of the most powerful screen biographies, though it perhaps falls short when compared with the realism of such later war-bios as Patton. The battle sequences, edited by William Holmes, are usually sharp, and Cooper gives one of the most memorable performances of his outstanding career. Sergeant York was nominated for eleven Academy Awards, winning two, Cooper for Best Actor and Homes for Best Film Editing." - www.allmovie.com

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Morocco 1930 - Marlene Dietrich's American movie debut

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IMDB rating: 7,3

Director: Josef von Sternberg
Main Cast: Gary Cooper, Marlene Dietrich, Adolphe Menjou

"Director Josef von Sternberg transfers Marlene Dietrich's siren singer persona to northern Africa in their first American collaboration, pairing her with Foreign Legionnaire Gary Cooper. Dietrich's Amy Jolly is an sensuous figure of desire and mystery amid von Sternberg's signature mise-en-scene of lushly exotic surroundings, layered shadows, and gauzy fabrics. Her first nightclub performance exudes an androgynous eroticism that would define her star persona: although she eventually sacrifices everything to follow Cooper's Tom Brown across the visually arresting desert sands, the tuxedo-clad Amy accepts a flower from a female admirer and nonchalantly kisses her on the lips before tossing the flower to an equally smitten (and beautified) Cooper. Along with the stunning imagery, von Sternberg inventively used sound to enhance the atmosphere, particularly when Amy makes her final decision between a rich man and the Legionnaire she loves. A box office success, Morocco earned Oscar nominations for von Sternberg, Hollywood newcomer Dietrich, Lee Garmes's alluring cinematography, and Hans Dreier's interior decoration, and helped keep Paramount Pictures afloat as the Great Depression hit Hollywood." - www.allmovie.com

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Mr. Deeds goes to town 1936 - A light-hearted classic Capra screwball comedy

IMDB link: http://www.imdb.com/title/tt0027996/
IMDB rating: 8,0

Director: Frank Capra
Main Cast: Gary Cooper, Jean Arthur, George Bancroft

"Frank Capra built his career around the themes that he explores in Mr. Deeds goes to town. For the populist Capra, the battle lines are clearly drawn; he makes his points (sometimes heavy-handedly) by pitting small-town simplicity, selflessness, and idealism against big-city sophistication, greed, and cynicism. Capra raised the 'little guy' to iconic status, stereotyping him as effortlessly as he stigmatized the corrupt city slicker. Gary Cooper's Longfellow Deeds often looks as if he is visiting from a different era, an errant knight guided by an anachronistic code of chivalry. He is not afraid to resort to violence if words don't get the job done, although his impassioned speeches tend to get him in more trouble than they get him out of. He is looking for a 'damsel in distress' and he is guided by an archaic and romantic notion of 'noblesse oblige'. Jean Arthur makes her first of three Capra appearances as this damsel, the hard-nosed reporter who exposes Mr. Deeds to ridicule. Her nasally, pointed line delivery is sharp and precise, and Cooper's trademark laconic delivery is also perfect for the role. Playing the part as if born to it, Cooper is at the top of his game, imbuing Deeds with just the right blend of empathy and intelligence.
Nominated for five Academy Awards, including Best Picture and Best Actor, Mr. Deeds goes to town won Capra his second of three Best Director trophies." - http://www.allmovie.com/movie/mr-deeds-goes-to-town-v33624/

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The lives of a Bengal lancer 1935 - A little dated but still rousing adventure!

IMDB link: http://www.imdb.com/title/tt0026643/?ref_=fn_al_tt_1
IMDB rating: 7,4

Director: Henry Hathaway
Main Cast: Gary Cooper, Franchot Tone, C. Aubrey Smith, Akim Tamiroff, Monte Blue, Kathleen Burke

"The Lives of a Bengal Lancer is the type of imperialist adventure story that has fallen out of favor with changing times. Nonetheless, it's an exciting film, full of heroic action and attention-grabbing performances that help overcome its dated feel. Gary Cooper is fine in the lead, but the film also provides a good chance to see Franchot Tone in one of his best roles. The presence of C. Aubrey Smith adds a feeling of authenticity; indeed, all the British roles are well-cast, even if the Indian roles are not. Former silent-movie child actor Henry Hathaway directs the solidly told story, providing crisp action sequences and effective chemistry between the leads. The film's one drawback is its failure to develop credible non-Anglo-Saxon characters - a common problem in studio films of the 1930s." - http://www.allmovie.com/movie/the-lives-of-a-bengal-lancer-v29736/

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Design for living 1933 - The classic Lubitsch touch in a not so faithful adaptation of Coward's play

IMDB link: http://www.imdb.com/title/tt0023940/
IMDB rating: 7,6

Director: Ernst Lubitsch
Main Cast: Fredric March, Gary Cooper, Miriam Hopkins, Edward Everett Horton, Isabel Jewell, Jane Darwell

"Design for Living was based on the stage comedy by Noel Coward, though little of his dialogue actually made it to the screen. Playwright Fredric March and artist Gary Cooper both fall in love with Miriam Hopkins, an American living in Paris. Both men love the girl, and the girl can't make up her mind between the two men, so the threesome decide to move in together - strictly platonically, of course.
When first released, Design for Living was assailed for the incredible liberties it took in transferring the material from stage to the screen. Indeed, director Ernst Lubitsch and screenwriter Ben Hecht kept only a single line of dialogue from the witty, sparkling Noel Coward comedy - and that one line was hardly itself distinguished. In other hands, this would have been a recipe for disaster; fortunately, Lubitsch and Hecht were enormous talents themselves, and the film they concocted from the barebones of Coward's play is sharply observed, slightly daffy and a total delight. It's true that Gary Cooper is a little out of place in high-style comedy of this sort; he's a little too 'downhome' to pull off some of what is asked of him. Nevertheless, his natural charisma is sufficient to overcome this deficiency, and his innate masculinity is used to interesting effect. On the other hand, Fredric March is right at home, turning in a deliciously comic performance that never takes a false turn. He's matched by Miriam Hopkins, creating some subtly wonderful variations on a madcap theme and proving irresistible in whatever she does.
The subtle homosexual implications of the Noel Coward stage original were dissipated by the presence of the aggressively masculine Gary Cooper and Fredric March in the film version of Design for Living. Replacing these implications were the equally subtle but more 'mainstream' boudoir innuendos of director Ernst Lubitsch." - http://www.allmovie.com/movie/design-for-living-v89216

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A farewell to arms 1932 - The first film version of Hemingway's novel

IMDB link: http://www.imdb.com/title/tt0022879/
IMDB rating: 6,6

Director: Frank Borzage
Main Cast: Gary Cooper, Helen Hayes, Adolphe Menjou

"Although the ending was altered, this A Farewell to Arms is one of the best cinematic adaptations of an Ernest Hemingway work. True, the film doesn't quite capture the unique Hemingway voice and style, but it does have some of his flavor; more importantly, it translates the story into "Hollywood" terms that make it more cinematically appealing. If the film lacks the depth of the novel, it still packs an emotional wallop. Certainly a great deal of the credit must go to stars Helen Hayes and Gary Cooper, who make an odd physical pair but who have a genuine, affecting chemistry. Hayes is radiant in one of her finest screen performances, playing suffering, nobility, and heartbreak in an outsized style that still rings true. Cooper was a Hemingway friend in real life, and later played the hero of Hemingway's For Whom the Bell Tolls; his boyish simplicity is just right for director Frank Borzage's heartfelt approach and he utilizes his considerable charm to good effect, helped by his truly impressive good looks; while he's not as comfortable as Hayes with some of the heightened emotion, he still pulls it off. Director Frank Borzage skillfully blends the romance with the war-themed story, creating both impressive battle vistas and intimate, softly lit duets -- all with the inestimable help of cinematographer Charles B. Lang. The Oscar-winning cinematography is the kind of lush black and white that can capture the glow from a cigarette as it plays across Cooper's darkened face--a breathtaking touch. The jaded battle scenes show the influence of the hit film version of All Quiet on the Western Front, especially in a gripping montage depicting Cooper's progress alone through the war zone.
This is first and foremost a love story, however, and as such it succeeds beautifully, right through to the remarkably intense ending.
Modern audiences will undoubtedly find portions of the film (and its style) dated and over the top, but those willing to meet it on its own terms will be rewarded." - http://www.allmovie.com/movie/a-farewell-to-arms-v16801

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