Friendly persuasion 1956 - Pacifism put to the test during the Civil War

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IMDB Rating: 7,5

Director: William Wyler
Main Cast: Gary Cooper, Dorothy McGuire, Anthony Perkins, Richard Eyer, Robert Middleton, Phyllis Love

"Friendly Persuasion is a charming, sensitive tale of a family of Quakers that attempts to maintain their pacifist ideals amid the turmoil of the U.S. Civil War. Best-known for playing quiet, understated characters who use violence when pushed too far, Gary Cooper gets the opportunity to explore a more peaceful resolution - though the film occasionally suggests that no person can be completely pacifistic. The tech credits are solid, as should be expected for a film directed by William Wyler; of particular note are Dimitri Tiomkin's score and Dorothy Jeakins's costume design. Though the film tends to exaggerate Quaker speech, the performances are convincing, and the screenplay (by blacklisted Michael Wilson) does a good job of transferring Jessamyn West's story to the screen. The film received six Oscar nominations, including Best Picture, though it did not win in any category." - www.allmovie.com

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Giant 1956 - From rigid conservatism to mindless materialism

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IMDB Rating: 7,7

Director: George Stevens
Main Cast: Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker, Mercedes McCambridge, Dennis Hopper, Sal Mineo, Rod Taylor

"George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Even if it hadn't starred three of the most iconic screen figures of the 1950s, George Stevens's Giant would still be an emotionally powerful and visually striking film; adding Rock Hudson, Elizabeth Taylor, and James Dean (in his final performance) to the mix was just the icing on the cake. Dean contributes the highest-caliber fireworks, though his Method style sometimes blends uncomfortably with the more traditional performances of the other actors, but Stevens also drew atypically strong performances from Taylor and Hudson, who delivers perhaps his best performance on screen next to Seconds (1966). The story is a glorified soap opera, but Stevens's epic production strengthens the narrative rather than drowning it, providing a visual metaphor for the intimidating vastness of the Texas landscape. The image of the vast Benedict mansion slowly appearing as a tiny dot on the horizon is only the most memorable of the film's many indelible images. Giant is as big and sprawling as Texas itself; it's the tininess of the larger-than-life characters in the oilfields of the Southwest that keeps them human, and makes them all the more fascinating.
The talented supporting cast includes Mercedes McCambridge as Bick’s frustrated sister, put out by the new woman of the house, and with Carroll Baker and Dennis Hopper as the Benedict’s rebellious children.
Giant was nominated for 10 Academy Awards with director George Stevens winning his second Oscar for this ambitious, grandly realized epic of the changing socio-economic (and physical) landscape of modern Texas." - www.allmovie.com

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East of Eden 1955 - Magnificent feature film debut of the iconic film star

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IMDB Rating: 8,0

Director: Elia Kazan
Main Cast: James Dean, Raymond Massey, Julie Harris, Burl Ives, Richard Davalos, Jo Van Fleet, Albert Dekker

"This truncated screen version of John Steinbeck's best-seller was the first starring vehicle for explosive 1950s screen personality James Dean. A grand, visually remarkable adaptation of John Steinbeck's novel, East of Eden was one of the films responsible for the cult that grew up around James Dean. Released in 1955, the same year as Dean's Rebel Without a Cause, Eden featured the actor in his sullen, troubled prime, rolling his eyes, mumbling his words, and stuffing his hands into his pockets as only he knew how. At once angry and vulnerable, Dean's performances in both movies established him as an icon of youthful discontent for decades to come. Aside from its place in the Dean iconography, East of Eden remains remarkable for Elia Kazan's use of CinemaScope, capturing with harsh vibrancy the expanse and breathtaking desolation of the California farmlands. The landscape crackles with a moody intensity that mirrors the conflicts among the film's central characters. In this respect, East of Eden earned its place in Hollywood legend: it featured great performances from its human principals, while the scenery gave a spellbinding performance in its own right. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. Among the movie's other stellar performances, Jo Van Fleet won the Oscar as Best Supporting Actress. " - www.allmovie.com

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