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Showing posts with label Fred Zinnemann. Show all posts
Showing posts with label Fred Zinnemann. Show all posts

Tuesday, October 28, 2014

From here to eternity 1953 - Pearl Harbor, Schofield Barracks, aspirations & frustrations


IMDB Link
IMDB Rating: 7,8



Director: Fred Zinnemann
Main Cast: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, Ernest Borgnine



"There were few movies greeted with more anticipation than Fred Zinnemann's From Here to Eternity when it opened in 1953. Adapted from one of the best-selling novels of the previous ten years, it was a film for which everyone had high expectations. It lived up to all of them and then some, adding a new level of violence and frankness to popular dramatic films just when the public was ready to accept these elements. (However, the movie couldn't even hint at an aspect that James Jones' novel mentioned almost at its outset: the homosexual advances that Prewitt parried from his former sergeant, resulting in his transfer to a rifle company.)
Burt Lancaster, who'd previously established himself as a hero-victim in a series of film noirs made under the auspices of Universal and as a costume hero in a pair of Warner Bros. period adventure films (The Flame and the Arrow, The Crimson Pirate), transformed himself into the quintessential macho leading man with his performance; Montgomery Clift gave the performance of his life as Robert E. Lee Prewitt, unwilling boxer and trumpet player; ex-navy enlisted man Ernest Borgnine dominated every scene he was in as Sgt. Judson, the most vicious enlisted man seen onscreen in a mainstream American movie up to that time; Deborah Kerr, previously known for her plucky, lady-like roles, got to play an unabashedly sexual woman, and a married one at that; Donna Reed, cast against type as the prostitute with delusions of her own, gave the most honest and wrenching performance of her career; and Frank Sinatra, cast against all prevailing wisdom in Hollywood (and beating out Eli Wallach for the choicest supporting role in Hollywood that year), became a great actor overnight as the doomed Maggio.
No words could do justice to the film's most famous scene: the nocturnal romantic rendezvous on the beach, with Burt Lancaster's and Deborah Kerr's bodies intertwining as the waves crash over them. If you're able to take your eyes off the principals for a moment or two, keep an eye out for George Reeves; his supporting role was shaved down when, during previews, audiences yelled 'There's Superman!' and began to laugh.
From Here to Eternity raised the bar for realism (and the genuine, jagged, if ugly side of life) in war movies, and in movies in general; winning eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and supporting awards to Sinatra and Reed." - www.allmovie.com

DVD links:


Wednesday, June 4, 2014

High noon 1952 - The Western classic shot in real time


IMDB Link
IMDB rating: 8,1


Director: Fred Zinnemann
Main Cast: Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Otto Kruger, Lon Chaney Jr.


"This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon - the film is shot in 'real time', so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the 'adult western', High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, 'Do Not Forsake Me, O My Darling' sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists." - www.allmovie.com

DVD links: