Rebecca 1940 - Hitchcock's hauntingly atmospheric masterpiece

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IMDB rating: 8,3

Director: Alfred Hitchcock
Main Cast: Laurence Olivier, Joan Fontaine, George Sanders, Judith Anderson, Nigel Bruce, Reginald Denny, C. Aubrey Smith, Gladys Cooper

"Producer David O. Selznick's 's second consecutive Best Picture (after the previous year's Gone With the Wind) and another enormously popular adaptation of a bestseller, this adaptation of Daphne du Maurier's novel was also the first American film directed by Alfred Hitchcock. Screenwriters Robert E. Sherwood and Joan Harrison recreated du Maurier's novel precisely, complete with the ideal casting of new star Laurence Olivier as brooding Maxim de Winter and insecure neophyte Joan Fontaine as his timid new bride. Rebecca displayed Hitchcock's unparalleled talent for ominous atmosphere, as he derived suspense from the clash between Fontaine and Judith Anderson's coldly sadistic, Rebecca-obsessed Mrs. Danvers. The elaborately appointed Manderley mansion became a character in itself, with Rebecca's expressively lit, diaphanously curtained bedroom, overlooking a suitably wild ocean, evoking her all-consuming absent presence.
Selznick's and Hitchcock's attention to detail paid off with eleven Oscar nominations, including Best Director, Best Actor, Best Actress, and Best Supporting Actress, and it won the top prize as well as an award for George Barnes's cinematography. David O. Selznick had the final cut of the picture, which was drastically altered from Hitchcock's original vision." - www.allmovie.com

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Gone with the wind 1939 - One of the greatest achievements in film history

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IMDB rating: 8,2

Director: Victor Fleming (George Cukor)
Main Cast: Vivien Leigh, Clark Gable, Leslie Howard, Olivia de Havilland, Thomas Mitchell, Hattie McDaniel, Evelyn Keyes, Ann Rutherford

"As epic as the 1,000-plus-page Margaret Mitchell bestseller on which it was based, David O. Selznick's production of Gone With the Wind (1939) went through three directors, a well-publicized search for Scarlett O'Hara, and a then-enormous four-million-dollar budget, resulting in one of the all-time highest-grossing movies. Sparing no expense on sets and costumes, Selznick aimed to produce the ultimate Technicolor blockbuster, faithfully adapting the book's Civil War era travails of Southern belle Scarlett and her roguish match, Rhett Butler. While the film is grand in scale (and length), its cast, especially relative unknown Vivien Leigh as Scarlett and MGM king Clark Gable as Rhett, made the narrative as engrossing as the spectacular recreation of the burning of Atlanta (in which old sets were torched). Premiering first in Atlanta, Gone With the Wind delivered on the promise of the hype, breaking box-office records. Earning an unprecedented 13 Oscar nominations, Gone With the Wind won eight statuettes and two special awards, taking Best Picture in Hollywood's 'miraculous' year, as well as Best Director for Victor Fleming, and Best Actress for Vivien Leigh. Best Supporting Actress Hattie McDaniel became the first African-American actor to win an Oscar.
The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be 'The Man Who Made Gone With the Wind'." - www.allmovie.com

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David Copperfield 1935 - A great adaptation with strong performances

IMDB link: http://www.imdb.com/title/tt0026266/
IMDB rating: 7,6

Director: George Cukor
Main Cast: Freddie Bartholomew, Frank Lawton, W. C. Fields, Lionel Barrymore, Maureen O'Sullivan, Madge Evans, Edna May Oliver, Roland Young, Elizabeth Allan, Basil Rathbone, Elsa Lanchester

"David Copperfield was MGM's major Christmas release for its 1934-1935 season and also the first of producer David O. Selznick's major 'literary' films for that studio. While a great deal of editing and streamlining was necessary to distill Charles Dickens' massive novel into 133 minutes of screen time, the end result was so successful that only the nittiest of nitpickers complained about the excised characters and events.
This 1935 adaptation of David Copperfield has endeared itself to generations of movie audiences in spite of artistic and technical flaws reflecting the state of the movie art in filmdom's infancy. The success of the production derives mainly from its loyalty to the spirit of the novel, its atmospheric depiction of 19th century England, and its talented adult actors. On the other hand, the child actors - Freddie Bartholomew (David as a boy), Fay Chaldecott (Little Emily), and Marilyn Knowlden (Agnes as a little girl) - all perform with the overwrought theatricality of elementary students in a school play. Moreover, Elizabeth Allan as Mrs. Clara Copperfield fairly reeks of maudlin melodrama. Even her two-second fainting spell is overdone. Director George Cukor may be responsible for the weak performances of Allen and the children; Cukor's choppy transition style also hurts the film. He unceremoniously cuts off one scene, then begins rolling the camera again elsewhere.
Originally, Charles Laughton was slated to play Micawber, but he pulled out of the production, worried that he wouldn't be funny enough. The casting of W. C. Fields was an inspired choice: although he injects his own established screen personality at every opportunity, Fields was born to play Micawber. Likewise, second-billed Lionel Barrymore fits his portrayal of crusty old Dan Peggoty like a glove. In fact, there isn't a false bit of casting in the whole production, and this, as much as Selznick's sumptuous production values, is the key to David Copperfield's enormous success." - http://www.allmovie.com/movie/david-copperfield-v12542

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A tale of two cities 1935 - A stepping stone for Selznick to Gone with the wind

IMDB link: http://www.imdb.com/title/tt0027075/
IMDB rating: 7,9

Director: Jack Conway
Main Cast: Ronald Colman, Elizabeth Allan, Edna May Oliver, Reginald Owen, Basil Rathbone

"A tale of two cities is well remembered for its rich production values and the charismatic performance of Ronald Colman as the dissipated lawyer drawn to a cause greater than his personal problems. Jack Conway's directing work is solid, but he was pretty much the hired hand of producer David O. Selznick, who was largely responsible for the film's artistic vision. Selznick had the best of MGM's production team, including composer Herbert Stothart, art director Cedric Gibbons, sound engineer Douglas Shearer, and film editor Conrad Nervig. The result is a first-rate example of the production quality typical of big-budget Hollywood studio films of the mid-1930s, particularly the ones from MGM. Surprisingly, the film received only two Academy Award nominations, for Best Picture and Best Film Editing, as MGM successfully focused its awards efforts for that year on The great Ziegfeld.
This adaptation of Charles Dickens' classic novel, set during the French Revolution, revolves around two men - English lawyer Sydney Carton and French aristocrat Charles Darnay - who share similar looks and a love for the same girl, Lucie Manette." - http://www.allmovie.com/movie/a-tale-of-two-cities-v48478

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Dinner at eight 1933 - A movie with romance, glamour, wit, charm and intrigue

IMDB link: http://www.imdb.com/title/tt0023948/
IMDB rating: 7,9

Director: George Cukor
Main Cast: Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Billie Burke, Madge Evans

"Based on the Broadway hit by George S. Kaufman and Edna Ferber, Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. Social butterfly Mrs. Oliver Jordan (Billie Burke) arranges a dinner party that will benefit the busines of her husband (Lionel Barrymore). Among the invited are a crooked executive (Wallace Beery), who is in the process of ruining Jordan; his wife (Jean Harlow), who is carrying on an affair with a doctor (Edmund Lowe); a fading matinee idol (John Barrymore), who has squandered his fortune on liquor and is romantically involved with the Jordan daughter (Madge Evans); and a venerable stage actress (Marie Dressler), who since losing all her money has become a 'professional guest'. Nothing goes as planned, due to various suicides, double-crosses, compromises, fatal illness, and servant problems. But dinner is served precisely at eight.
Dinner at Eight is, above all else, about changes: changes in society where graceful old money is about to be supplanted by the new and crass; changes in the motion picture business where talkies turn silent stars into alcoholic has-beens; and changes in industry, where, according to Jean Harlow's brassy Kitty Packard, 'machines are taking the place of every profession'. After which observation, of course, Marie Dressler, as the grand Mrs. Patrick Campbell-like stage diva, delivers one of the screen's most memorable closing lines, 'That my dear', she intones, giving the bleach blonde the once-over, 'is something you never need to worry about!' It is a delicious moment in a film positively giddy with such bon mots and brimming with performances as fresh today as they were in 1933. Were Dressler, Harlow, Billie Burke, or the Barrymore brothers ever better? Although director George Cukor and producer David O. Selznick deserved much of the credit, they were, of course, heavily indebted to a sparkling screenplay penned by Frances Marion, Herman J. Mankiewicz, and Donald Ogden Stewart. It is to the credit of all these talented professionals that Dinner at Eight manages to amuse and delight even the jaded audiences of today, in contrast, perhaps, to its equally famous predecessor, the rather overstuffed and decidedly dated Grand Hotel (1932)." - http://www.allmovie.com/movie/dinner-at-eight-v13816

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