It's a wonderful life 1946 - The most loved Christmas classic of all time

IMDB Link
IMDB rating: 8,7

Director: Frank Capra
Main Cast: James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, Henry Travers, Beulah Bondi, Gloria Grahame

"The image of It's a Wonderful Life has undergone a complete transformation since its 1946 release. In its own time, Frank Capra's comedy-drama about the dark side of human nature was a modest failure, neither a box-office success nor a critical favorite, though it garnered some recognition in the form of 5 Oscar nominations, including Best Picture. For the next 28 years, the movie remained a cult favorite among movie buffs and Capra fans. Then the movie's copyright was allowed to lapse and suddenly, during the early 1980s around Christmas (the season in which the film is set), it seemed possible to flip on the TV at random some nights and find the movie playing somewhere on the dial, and that went double for Christmas Day, Christmas Eve, and New Year's. The public came out regarding the film as a lost classic; Capra lived just long enough to reap some of the belated acclaim, and his estate later benefitted from the sales of the films that he owned outright, such as Broadway Bill and Lady For a Day. The movie is in fact a dark, disturbing look at small-town American life between the two world wars, rife with class envy and fears of modernity, and featuring a before-its-time portrayal of George Bailey's middle-aged sense of failure that seems more appropriate for an American film of the Seventies." - www.allmovie.com

DVD links:

Grand Hotel 1932 - Garbo 'wants to be alone'

IMDB Link
IMDB rating: 7,7

Director: Edmund Goulding
Main Cast: Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, Lionel Barrymore, Lewis Stone, Jean Hersholt

"Based on Vicki Baum's novel, Grand Hotel is the prototype for the all-star ensemble film and an excellent example of the rich and glamorous escapist entertainment, often from MGM, that took on enhanced prominence during the Depression. Produced by Irving Thalberg using top-end ingredients and state-of-the-art technology, it is yet another example of MGM's dominance during the 1930s for this type of film. The plot exists merely as a device to get star faces on the screen, particularly that of Greta Garbo. Though only moderately respected by the critics, Grand Hotel has proven itself of enduring influence, both for Garbo's performance and for creating star-heavy blockbusters that peaked in the 1950s with Around the World in 80 Days. Grand Hotel won Best Picture at the 1932 Academy Awards." - www.allmovie.com

DVD links:

Night flight 1933 - An all star cast aviation spectacle

IMDB Link
IMDB rating: 6,4

Director: Clarence Brown
Main Cast: John Barrymore, Helen Hayes, Clark Gable, Lionel Barrymore, Robert Montgomery, Myrna Loy, William Gargan, C. Henry Gordon, Leslie Fenton, Irving Pichel

"This long-forgotten, long-unavailable MGM aviation drama (produced under the aegis of David O. Selznick) is an adaptation of flier-turned-belletrist Antoine de Saint-Exupery's slim 1931 novel of the same name, which dramatizes the adventures of the South American night mail aviation service in the early years of the 20th century. The studio enlisted a top-drawer cast for this one, including Clark Gable, Robert Montgomery, Myrna Loy, brothers John and Lionel Barrymore (in their final onscreen appearance together), and Helen Hayes. Selznick and his brass were obviously hoping to produce another hit on par with Wings or Grand Hotel, and thus pinned empyrean hopes on the novella. To say that the adaptation didn't live up to their box office expectations would be an understatement, and probably explains the obscurity into which the picture sank. But all told, this film represents a happy, eminently enjoyable surprise. Scriptwriter Oliver H.P. Garret builds the drama around a plot contrivance not found in the original text - the attempts of the said pilots to deliver a precious vaccine to the infantile paralysis unit at the City Hospital in Rio de Janeiro, before one child in particular expires. De Saint-Exupery purists may scoff, but this ingenious narrative addition works beautifully - it functions as the hook necessary to sustain suspense in the audience's mind and maintain an involving through-line. All of the actors do stellar work here, particularly Gable and Montgomery (both cast as noble pilots), who give the picture the star power and the dramatic weight that it needs. A number of scenes feel stilted and overly theatrical, and others threaten to interrupt the film's momentum just a bit, but for the most part, what's onscreen is both involving and exciting. The film doesn't recreate de Saint-Exupery's majestic scenic tableaux - how could it? - and director Clarence Brown relies too heavily on 'wipes' to segue from one aerial shot to another. But the film compensates with special effects that feel downright revolutionary for the period in question, and that anticipate Howard Hawks's Only Angels Have Wings - including gorgeous, convincing shots of aircraft during nocturnal voyages (done with miniatures) and a magnificent storm sequence, set in the Andes and lifted directly from the text. Of greatest curiosity are the period images of such cities as Rio de Janeiro, Brazil and Santiago, Chile, presented as sterile-white, WASP-staffed utopian communities with nothing but the most luxurious surroundings. Why the absence of Hispanic citizens, and why the careful resistance to any signs of local squalor? (It may simply be a reflection on the nativism of the era that produced this film). The movie suffers just a bit from one of the most risible final shots of any film in memory (with 'ghost pilots' emerging from the sea and soaring up to the heavens); until then it's an engrossing entertainment and does justice to its source material." - www.allmovie.com

DVD links:

Rasputin and the empress 1932 - The three fabulous Barrymores together

IMDB Link
IMDB rating: 6,7

Director: Richard Boleslawski
Main Cast: John Barrymore, Ethel Barrymore, Lionel Barrymore, Ralph Morgan, Diana Wynyard

"It's hard to separate fact and fancy from the many accounts of what happened on the set when all three of the fabulous Barrymores - Ethel, John and Lionel - appeared together for the only time in Rasputin and the Empress. As for the end result, John offers the subtlest (!) performance as Russian Prince Paul Chegodieff; Lionel throws all caution to the four winds in the role of 'Mad Monk' Rasputin; and Ethel comes off as rather artificial as Empress Alexandra (Ethel was more appealing in her character roles of the 1940s and 1950s). When seen today, Rasputin and the Empress seems rather choppy in spots, with isolated lines of dialogue and sometimes whole scenes completely missing. This is due to a million-dollar lawsuit brought against MGM by Prince Yusupov, the man who really engineered Rasputin's assassination. The Prince wasn't offended by being depicted as a murderer, but he was distressed when MGM suggested that his wife had been raped by Rasputin. As a result, Rasputin and the Empress was withdrawn from distribution, and all prints were later bowdlerized when released to television. Also as a result, all future Hollywood films were obliged to carry the 'Any resemblance to actual persons, living or dead, is purely coincidental' disclaimer." - www.allmovie.com

DVD links:

Arsene Lupin 1932 - The first screen pairing of the Barrymore brothers

IMDB Link
IMDB rating: 7,0

Director: Jack Conway
Main Cast: John Barrymore, Lionel Barrymore, Karen Morley, John Miljan, Tully Marshall

"John Barrymore plays a burglar and his brother Lionel Barrymore is the detective trying to catch him in this cleverly cast drama. An upscale thief who works under the name of Arsene Lupin is making the rounds of the homes of the wealthy and privileged, and Detective Guerchard (Lionel Barrymore) is determined to track him down. What he doesn't know is that the suave and sophisticated Duke of Charmerace (John Barrymore) is actually the man behind the robberies. Will Guerchard find out the thief's true identity before he can execute a daring theft from the Louvre Museum? Karen Morely co-stars as Sonia, the Duke's love interest.
When it debuted in 1932, the big news about Arsene Lupin was that it was the first screen pairing of the legendary Barrymore brothers. Modern audiences, who have had the chance to see them in several of their subsequent screen teamings, won't approach Arsene with the same sense of anticipation, but they'll likely find themselves quite entertained with the result, especially if they are fans of Raffles-type 'gentleman thief' stories. The screenplay of Arsene is solid, setting up the situations with skill and making sure that all of the parts are in their proper places. The writers do a fine job of keeping the audience guessing as to the identity of the title character until more than halfway into the film and it is only in the climax that the viewer is really certain that his guess is right. Jack Conway directs efficiently, with an eye on atmosphere and tension but also making sure that the appropriate light moments are given equal play. And he is very careful to spotlight 'the big show': the scenes in which John Barrymore and Lionel Barrymore share the screen and perform their own special brand of dramatic dueling. They're in beautiful form, sparring delightfully off of each other and giving their fans plenty to relish. All in all, Arsene is a treat for fans of light mystery entertainment." - www.allmovie.com

DVD links:

(Arsene Lupin Double Feature: Arsene Lupin 1932 & Arsene Lupin Returns 1938)

A free soul 1931 - Lionel Barrymore gives an Oscar winning acting lesson

IMDB link: http://www.imdb.com/title/tt0021885/?ref_=fn_al_tt_1
IMDB rating: 6,7

Director: Clarence Brown
Main Cast: Norma Shearer, Leslie Howard, Lionel Barrymore, James Gleason, Clark Gable

"In its day, A Free Soul was powerful stuff, and if the passing of time has diluted its impact, it still carries enough of a punch to make it worth catching today. An example of the kind of adult issues that pre-Code films often explored, Soul is daring for its portrayal of a single woman embroiled in what is clearly a sexual affair with a man; unfortunately, it dresses up this interesting situation in a melodramatic screenplay that never seems to know when to stop. This keeps Soul from being great drama - but it doesn't keep it from being quite entertaining. Clarence Brown provides highly appropriate direction; he embraces (and believes in) the melodrama without letting it get too far out of hand. Brown is blessed with a stellar cast, especially Norma Shearer. The actress is in excellent form and gives a very well modulated performance that allows her to pull out all the stops when appropriate, but also to underplay notably in several key moments. Lionel Barrymore's Oscar-winning performance is slightly more uneven - it's a bit mannered early on and always seems to be channeling Frank Morgan - but it's sensational in the climactic sequences, when it really matters. Clark Gable is a marvelous heel, and Leslie Howard appropriately noble and self-sacrificing. Despite its not inconsiderable flaws, A Free Soul makes for entertaining viewing." - http://www.allmovie.com/movie/a-free-soul-v18556/

DVD links:

Mata Hari 1931 - One legend portrays another

IMDB link: http://www.imdb.com/title/tt0023196/?ref_=fn_al_tt_1
IMDB rating: 6,8

Director: George Fitzmaurice
Main Cast: Greta Garbo, Ramon Novarro, Lionel Barrymore, Lewis Stone, Karen Morley

"Mata Hari is the kind of experience that one can get only from motion pictures. Which isn't to say that it is a great film, mind you. The script is a lot of claptrap, for example. As expected, it is totally inaccurate as biography, but it is also excessively melodramatic and filled with dialogue that makes modern day viewers wince when they don't laugh. But it does provide a showcase for the one and only Greta Garbo, and only a motion picture could do justice to this unique talent. The filmmakers dispense with concessions to reality, creating a visual wonderland that exists solely to point up the beauty and allure of their star. William Daniels' stunningly lit cinematography, Adrian's plethora of gowns, capes and furs, and Cedric Gibbons' fanciful sets are all icing on Garbo's cake, as is leading man Ramon Novarro. His performance is perfunctory, but that's almost beside the point: he looks like the kind of man Garbo should be exchanging passionate kisses with. And Garbo makes all the trouble well worth while. She exudes that strange, indefinable attraction in every frame, somehow making even the sappiest scenes (of which there are several) palatable - and occasionally genuinely moving. As for the rest of the cast, Lionel Barrymore is decidedly over-the-top, but that's in keeping with the general 'film-ic' quality of the piece; C. Gordon Henry has some good moments; and Karen Morley is memorably feisty in her brief appearance." - http://www.allmovie.com/movie/mata-hari-v31795/

DVD links:

Test pilot 1938 - A familiar story but with great actors

IMDB link: http://www.imdb.com/title/tt0030848/?ref_=fn_al_tt_1
IMDB rating: 6,9

Director: Victor Fleming
Main Cast: Clark Gable, Myrna Loy, Spencer Tracy, Lionel Barrymore

"Test Pilot is one of those irresistible MGM potboilers of the 1930s that coast along on sheer star power. Clark Gable plays a courageous test pilot, who compromises his achievements with his frequent bouts of drinking. Gable's mechanic, Spencer Tracy, does what he can to keep his boss out of trouble. While testing a new aircraft, Gable is forced to land on a Midwestern farm, where he meets and falls in love with Myrna Loy. Gable and Loy marry, whereupon he is fired by his boss Lionel Barrymore, who is of the opinion that flying and dames don't mix. Gable goes off on another bender, compelling Loy to leave him. Once more, Tracy comes to Gable's rescue by reuniting the couple and arranging for Barrymore to give Gable his job back. Later, Gable and Tracy are assigned to test a huge army bomber. Something goes wrong, and the plane goes into a dive. The self-sacrificing Tracy sees to it that Gable is saved from a flaming death - at the cost of his own life. Gable is so devastated by Tracy's death that it looks as though he'll never fly again. But with Loy's help, Gable regains his self-confidence. As one can see, there's little in Test Pilot that hasn't been done before. But with Clark Gable, Spencer Tracy and Myrna Loy at the controls, the film proved a real audience-pleaser in 1938. In fact, it's still pretty good today." - http://www.allmovie.com/movie/test-pilot-v49173

DVD links:

You can't take it with you 1938 - A family of free spirits

IMDB link: http://www.imdb.com/title/tt0030993/
IMDB rating: 8,0

Director: Frank Capra
Main Cast: James Stewart, Jean Arthur, Lionel Barrymore, Edward Arnold, Mischa Auer, Ann Miller, Spring Byington

"Moss Hart and George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play You Can't Take It With You was transformed into a paean to populism by director Frank Capra and screenwriter Robert Riskin. The result is a joyful celebration of good-natured people and unconventional lifestyles. In some ways, it presages the 'do your own thing' philosophy of the 1960s, and it is easy to imagine free-spirited families of the '60s as creative descendants of Hart and Kaufman's Pulitzer Prize-winning characters. The cast features some of the finest comic actors of its era. While Lionel barrymore and James Stewart were equally adept at drama, the film also features fine performances from such humor specialists as Spring Byington, Dub Taylor, and Mischa Auer. Of special note is the presence of comic legend Eddie Anderson, who, with his supporting performance in Gone with the wind, became the first African-American actor to appear in more than one Oscar- winning Best Picture.
You can't take it with you earned several Academy Awards, including Best Picture and Best Director (Capra's third Oscar)." - http://www.allmovie.com/movie/you-cant-take-it-with-you-v55902

DVD links:

David Copperfield 1935 - A great adaptation with strong performances

IMDB link: http://www.imdb.com/title/tt0026266/
IMDB rating: 7,6

Director: George Cukor
Main Cast: Freddie Bartholomew, Frank Lawton, W. C. Fields, Lionel Barrymore, Maureen O'Sullivan, Madge Evans, Edna May Oliver, Roland Young, Elizabeth Allan, Basil Rathbone, Elsa Lanchester

"David Copperfield was MGM's major Christmas release for its 1934-1935 season and also the first of producer David O. Selznick's major 'literary' films for that studio. While a great deal of editing and streamlining was necessary to distill Charles Dickens' massive novel into 133 minutes of screen time, the end result was so successful that only the nittiest of nitpickers complained about the excised characters and events.
This 1935 adaptation of David Copperfield has endeared itself to generations of movie audiences in spite of artistic and technical flaws reflecting the state of the movie art in filmdom's infancy. The success of the production derives mainly from its loyalty to the spirit of the novel, its atmospheric depiction of 19th century England, and its talented adult actors. On the other hand, the child actors - Freddie Bartholomew (David as a boy), Fay Chaldecott (Little Emily), and Marilyn Knowlden (Agnes as a little girl) - all perform with the overwrought theatricality of elementary students in a school play. Moreover, Elizabeth Allan as Mrs. Clara Copperfield fairly reeks of maudlin melodrama. Even her two-second fainting spell is overdone. Director George Cukor may be responsible for the weak performances of Allen and the children; Cukor's choppy transition style also hurts the film. He unceremoniously cuts off one scene, then begins rolling the camera again elsewhere.
Originally, Charles Laughton was slated to play Micawber, but he pulled out of the production, worried that he wouldn't be funny enough. The casting of W. C. Fields was an inspired choice: although he injects his own established screen personality at every opportunity, Fields was born to play Micawber. Likewise, second-billed Lionel Barrymore fits his portrayal of crusty old Dan Peggoty like a glove. In fact, there isn't a false bit of casting in the whole production, and this, as much as Selznick's sumptuous production values, is the key to David Copperfield's enormous success." - http://www.allmovie.com/movie/david-copperfield-v12542

DVD links:

Dinner at eight 1933 - A movie with romance, glamour, wit, charm and intrigue

IMDB link: http://www.imdb.com/title/tt0023948/
IMDB rating: 7,9

Director: George Cukor
Main Cast: Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Billie Burke, Madge Evans

"Based on the Broadway hit by George S. Kaufman and Edna Ferber, Dinner at Eight is a near-flawless comedy/drama with an all-star cast at the peak of their talents. Social butterfly Mrs. Oliver Jordan (Billie Burke) arranges a dinner party that will benefit the busines of her husband (Lionel Barrymore). Among the invited are a crooked executive (Wallace Beery), who is in the process of ruining Jordan; his wife (Jean Harlow), who is carrying on an affair with a doctor (Edmund Lowe); a fading matinee idol (John Barrymore), who has squandered his fortune on liquor and is romantically involved with the Jordan daughter (Madge Evans); and a venerable stage actress (Marie Dressler), who since losing all her money has become a 'professional guest'. Nothing goes as planned, due to various suicides, double-crosses, compromises, fatal illness, and servant problems. But dinner is served precisely at eight.
Dinner at Eight is, above all else, about changes: changes in society where graceful old money is about to be supplanted by the new and crass; changes in the motion picture business where talkies turn silent stars into alcoholic has-beens; and changes in industry, where, according to Jean Harlow's brassy Kitty Packard, 'machines are taking the place of every profession'. After which observation, of course, Marie Dressler, as the grand Mrs. Patrick Campbell-like stage diva, delivers one of the screen's most memorable closing lines, 'That my dear', she intones, giving the bleach blonde the once-over, 'is something you never need to worry about!' It is a delicious moment in a film positively giddy with such bon mots and brimming with performances as fresh today as they were in 1933. Were Dressler, Harlow, Billie Burke, or the Barrymore brothers ever better? Although director George Cukor and producer David O. Selznick deserved much of the credit, they were, of course, heavily indebted to a sparkling screenplay penned by Frances Marion, Herman J. Mankiewicz, and Donald Ogden Stewart. It is to the credit of all these talented professionals that Dinner at Eight manages to amuse and delight even the jaded audiences of today, in contrast, perhaps, to its equally famous predecessor, the rather overstuffed and decidedly dated Grand Hotel (1932)." - http://www.allmovie.com/movie/dinner-at-eight-v13816

DVD links: