Arsene Lupin 1932 - The first screen pairing of the Barrymore brothers

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IMDB rating: 7,0

Director: Jack Conway
Main Cast: John Barrymore, Lionel Barrymore, Karen Morley, John Miljan, Tully Marshall

"John Barrymore plays a burglar and his brother Lionel Barrymore is the detective trying to catch him in this cleverly cast drama. An upscale thief who works under the name of Arsene Lupin is making the rounds of the homes of the wealthy and privileged, and Detective Guerchard (Lionel Barrymore) is determined to track him down. What he doesn't know is that the suave and sophisticated Duke of Charmerace (John Barrymore) is actually the man behind the robberies. Will Guerchard find out the thief's true identity before he can execute a daring theft from the Louvre Museum? Karen Morely co-stars as Sonia, the Duke's love interest.
When it debuted in 1932, the big news about Arsene Lupin was that it was the first screen pairing of the legendary Barrymore brothers. Modern audiences, who have had the chance to see them in several of their subsequent screen teamings, won't approach Arsene with the same sense of anticipation, but they'll likely find themselves quite entertained with the result, especially if they are fans of Raffles-type 'gentleman thief' stories. The screenplay of Arsene is solid, setting up the situations with skill and making sure that all of the parts are in their proper places. The writers do a fine job of keeping the audience guessing as to the identity of the title character until more than halfway into the film and it is only in the climax that the viewer is really certain that his guess is right. Jack Conway directs efficiently, with an eye on atmosphere and tension but also making sure that the appropriate light moments are given equal play. And he is very careful to spotlight 'the big show': the scenes in which John Barrymore and Lionel Barrymore share the screen and perform their own special brand of dramatic dueling. They're in beautiful form, sparring delightfully off of each other and giving their fans plenty to relish. All in all, Arsene is a treat for fans of light mystery entertainment." - www.allmovie.com

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(Arsene Lupin Double Feature: Arsene Lupin 1932 & Arsene Lupin Returns 1938)

Kongo 1932 - A tropical human condition story

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IMDB rating: 6,9

Director: William J. Cowen
Main Cast: Walter Huston, Lupe Velez, Conrad Nagel, Virginia Bruce

"A remake of West of Zanibar (1928), this strange, gut-wrenching melodrama set in the African jungles, offers a disturbing portrait of a bitter, crippled and insane megalomaniac who vents his rage via mental torture against all those who get too near. Walter Huston plays the madman who lost the use of his legs during a battle with his nemesis Gordon. The accident happened many years ago and since then Huston has dragged himself about in his jungle home making the lives of those around him waking nightmares. He has terrified the local tribesmen into total submission with his knowledge deadly voodoo (he tells them guns are magical instruments). He is even crueler to his fellow Anglos. A young white woman comes to visit one day. Believing her to be the daughter of his arch rival Gordon, he gleefully embarks upon a heavy reign of psychological abuse until the poor girl is nearly destroyed. For more fun, he gets a new doctor addicted to drugs and of course he can also torment the woman who loves him, Velez. The horror continues until Gordon suddenly shows up. Vengeful Huston quickly picks a fight and during the ensuing struggle Gordon tells Huston a bitter truth, one that leads Huston to a horrible realization." - www.allmovie.com

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Emma 1932 - Another sterling performance from Dressler

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IMDB rating: 7,1

Director: Clarence Brown
Main Cast: Marie Dressler, Richard Cromwell, Jean Hersholt, Myrna Loy, John Miljan

"Emma is a turn-of-the-century domestic drama completely dominated by star Marie Dressler. She plays the maid of an upper middle class family, keeping her wits about her as her employers suffer crisis after crisis. When the master of the house (Jean Hersholt), a prominent inventor, is widowed, he proposes marriage to Emma. Shortly afterward, Hersholt dies, and Emma, who has married 'out of her class', is accused of murder by Hersholt's jealous children. Cleared of the accusation, Emma turns over her inheritance to the selfish children and heads off to work for another family, once again making the best of any and all bad situations.
At the time she made this film, Marie Dressler was Hollywood's greatest star. An unlikely celebrity sensation, with her homely face and shapeless body, Dressler was nonetheless adored by the American public who could sense her basic decency and goodness. For a few brief years she became the nation's grandma, someone with whom the public could feel completely comfortable. Dressler seemed to typify the virtues of hard work and plainspoken honesty - attributes which counted for much in the Great Depression's darkest days.
Firm support is given by gentle Jean Hersholt as Dressler's kindly employer. As his son, Richard Cromwell gives an energetic performance. Lovely Myrna Loy, not-quite-yet a star, is strangely awkward as Hersholt's spiteful daughter. John Miljan is effective in the role of a relentless District Attorney." - www.allmovie.com

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Pack up your troubles 1932 - Stan & Ollie and a little girl

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IMDB rating: 7,3

Director: George Marshall
Main Cast: Stan Laurel, Oliver Hardy, Don Dillaway, Mary Carr, James Finlayson

"Drafted into the army during World War I, those muddled misfits Stan Laurel and Oliver Hardy make a shambles of Training Camp before being shipped to France. When their best pal Eddie (Donald Dillaway) is killed in battle, Stan and Ollie vow to locate the grandparents of Eddie's orphaned little daughter (Jacquie Lyn). Unfortunately, the grandparents are named Smith - and they live in New York City. With only a city directory and phone book as their guide, Stan and Ollie undergo several chucklesome misadventures as they scour the canyons of Manhattan to find Mr. and Mrs. Smith. With the orphanage officials hot on their heels, the boys take drastic action to raise enough money to get out of town with the little girl. All turns out well when Eddie's grandfather makes an appearance under the least likely circumstances. But before Laurel & Hardy can enjoy their own happy ending, they cross the path of an old enemy from their army days: a knife-wielding chef with blood in his eye.
The second of Laurel & Hardy's feature-length films, Pack Up Your Troubles is infinitely more amusing than their first feature effort, 1931's Pardon Us. Best bit: An overtired Laurel, attempting to tell a bedtime story to the little girl, ends up snoozing away as the kid finishes the story. The powerhouse supporting cast includes such Laurel & Hardy regulars as James Finlayson, Billy Gilbert, Rychard Cramer, Charles Middleton and Charlie Hall. George Marshall, the film's director, proves a mirthsome menace in the small role of the vengeful chef." - www.allmovie.com

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The penguin pool murder 1932 - Entertaining mystery boosted by Oliver and Gleason chemistry

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IMDB rating: 7,1

Director: George Archainbaud
Main Cast: Edna May Oliver, Robert Armstrong, James Gleason, Mae Clarke, Donald Cook

"Edna May Oliver makes the first of three appearances as Hildegarde Withers, the schoolteacher/sleuth created by mystery writer Stuart Palmer.
The Penguin Pool Murder is a delightful piece of murder mystery fluff. It's no classic of the genre, mind you, but it's a fun little movie, and one in which the comedy works equally as well as the mystery. The plot is, of course, concerned with 'who done it', and it lays the pieces out in an entertaining manner. It's not especially hard to solve the identity of the murderer and some of the clues are put together a bit too handily, but Penguin is so much fun that few will care. Nor will they care too much about the climactic court room scene which, even by cinematic standards, veers off course from reality by a wide margin, nor about the willingness of the chief detective to misstate a valuable piece of evidence (which somehow keeps being withheld even during the trial). How can one care when the droll Edna May Oliver and the crusty James Gleason are having so much fun sparring with each other? Oliver and Gleason carry the picture, something two character actors don't get the chance to do very often, and boy do they make the most of the opportunity." - www.allmovie.com

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Tarzan, the ape man 1932 - The one and only original Tarzan movie that started it all

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IMDB rating: 7,2

Director: W. S. Van Dyke
Main Cast: Johnny Weissmuller, Maureen O'Sullivan, C. Aubrey Smith, Neil Hamilton, Doris Lloyd

"Tarzan, The Ape Man was not only MGM's inaugural Tarzan film, but also the first to star former Olympic swimming champ Johnny Weissmuller as The Lord of the Jungle (strange but true: one of the pre-Weissmuller Tarzan candidates was Clark Gable!)
Utilizing scads of stock footage from MGM's Trader Horn (1931), the film begins with great white hunter James Parker (C. Aubrey Smith) trekking through darkest Africa in search of the legendary Elephant Graveyard. Accompanying Parker is his daughter Jane (Maureen O'Sullivan) and her erstwhile beau Harry Holt (Neil Hamilton). The expedition is habitually sabotaged by the ecology-conscious Tarzan, a white man who'd been lost in the jungle years earlier and raised by Apes. Tarzan kidnaps Jane and spirits her away to the treetops, where she gradually overcomes her fear of the Loinclothed One and teaches him to speak English. The perfect gentleman, Tarzan returns Jane to her father and swings off into the distance. When Parker, Jane and Holt are captured by pygmies, Tarzan comes to the rescue, with an entourage of his elephant friends. At fade-out time, Jane has decided to renounce civilization and spend the rest of her life with Tarzan.
The only one of the MGM Tarzans actually based on the Edgar Rice Burroughs originals, Tarzan the Ape Man proved a surprise hit, spawning an endless parade of sequels and remakes.
The movie was one of Irving Thalberg's 'pet' projects at MGM, an opportunity to take an existing franchise (Edgar Rice Burroughs' jungle lord had been a film staple since beefy Elmo Lincoln donned a loincloth, in 1918), give it 'A'-list production values and a 'name' director (W.S. Van Dyke), introduce charismatic actors as the leads (28-year old multiple Olympic champion Johnny Weissmuller and 21-year old Irish import Maureen O'Sullivan), and create a 'definitive' success for the studio." - www.allmovie.com

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Blessed event 1932 - Lee Tracy as a lost joy of the pre-code era

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IMDB rating: 7,2

Director: Roy Del Ruth
Main Cast: Lee Tracy, Mary Brian, Dick Powell, Allen Jenkins, Ruth Donnelly

"Blessed Event is one of several early-1930s films inspired by the meteoric rise to fame of gossip columnist Walter Winchell - and like most such films, its title is based on a Winchell tag line.
Lee Tracy plays a glib-tongued reporter who is conducting a feud with popular singer Dick Powell (making his film debut). Along the way, Tracy offends a powerful gangster, and in so doing becomes entangled with chorus girl Mary Brian.
The original Broadway stage version of Blessed Event was written by Manuel Seff and Forrest Wilson--and reportedly inspired by the career of Ruby Keeler, who rose to stardom thanks in part to the patronage of a New York mobster.
There never was anyone quite like Lee Tracy, the machine gun-mouthed character actor who managed a brief starring career in pre-Code movies, of which Blessed Event arguably gives Tracy the chance to shine in all his diamond hard glory. Tracy was an odd choice for stardom, a guy who wasn't blessed with male model looks and who had a persona that was perfect for self-centered egoists who don't mind a little love but only if it doesn't get in the way of old number one. It's the kind of character that can be repulsive, but Tracy's total self-absorption and, equally important, his incredible timing and precise delivery of a one-liner make him somehow appealing. He's a force of nature, and one that won't be denied; moreover, he's a peculiarly American one, taking the concept of individualism to an extreme. Tracy also is someone who requires an amoral atmosphere in which to thrive. After the Production Code really came in, the kind of stories, situations and characters that could best contain him lost their power. But Blessed has none of these worries, blithely dealing with unwanted pregnancies, homosexuality and other subjects soon to be forbidden, and allowing the audience to cheer on a go-getter who tramples anyone in the way of getting what he wants. Tracy is perfectly complemented by Roy Del Ruth's rapid-fire direction and by a script that gives him plenty to get his mouth around; his electric chair monologue is really astounding." - www.allmovie.com

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