The incredible shrinking man 1957 - A strange adventure into the unknown

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IMDB Rating: 7,7

Director: Jack Arnold
Main Cast: Grant Williams, Randy Stuart, April Kent, Paul Langton, Raymond Bailey

"The notion of a man who shrinks to the size of a ChapStick and finds himself hunted by his own pet cat would seem to be the height of comic absurdity, but screenwriter Richard Matheson and director Jack Arnold had the good sense not to play it as a traditional horror/sci-fi story. Instead, The Incredible Shrinking Man emphasizes the psychological side of the character's dilemma alongside his obvious physical problems; Scott Carey (Grant Williams, in the best and best-known performance of a sadly misbegotten career) finds his view of himself and the world radically challenged by his extreme reaction to a radioactive cloud. As Scott slowly begins to shrink, he first loses touch with his masculinity as he begins to look more like his wife's son than her husband, and then begins to question his humanity, as his home turns into a horrific netherworld and he's eventually reduced to the size of a molecule. Director Arnold and his special effects crew do fine work, making Scott's situation look as realistic as possible given the circumstances, and they turn his struggle to emerge from the basement into an adventure to reckon with. But it's Matheson's perceptive script that sets the film apart; plenty of monster movies had an ordinary guy turn into an unrecognizable creature, but few faced the psychological and even theological implications of a man transformed into something unknowable. The result was the most intelligent movie of the 1950s 'atomic mutation' cycle, and, along with Them!, the one that has best stood the test of time." - www.allmovie.com

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Les diaboliques 1955 - The greatest film that Alfred Hitchcock never made

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IMDB Rating: 8,2

Director: Henri-Georges Clouzot
Main Cast: Simone Signoret, Vera Clouzot, Paul Meurisse, Charles Vanel, Jean Brochard

"French filmmaker Henri-Georges Clouzot created enough pulse-racing suspense in just two movies to take his place in history next to Alfred Hitchcock as one of the finest thriller directors ever. Clouzot followed up his remarkable 1953 action film The Wages of Fear with the dark and mysterious Diabolique (Les Diaboliques). Wages has moments of almost preternatural tension and is arguably the more interesting film, but Diabolique most captured the popular imagination. That's probably due to the film's familiar yet strikingly fresh combination of chilling atmospherics, sexual intrigue, macabre pacing, and influential 'horror' plot construction. Typical of many French films of the 1950s, Clouzot's style was influenced by American film noir; unlike the French New Wave films which followed it, Diabolique also revealed the German expressionist roots of noir. The film has been remade three times, as Reflections of Murder, House of Secrets and the pitiful 1996 Diabolique, and many of its plot twists have been recycled in countless other thrillers." - www.allmovie.com

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The night of the hunter 1955 - Laughton created a masterpiece of horror

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IMDB Rating: 8,1

Director: Charles Laughton
Main Cast: Robert Mitchum, Shelley Winters, Lillian Gish, James Gleason, Peter Graves

"Actor Charles Laughton directed only one movie during his 36 years in show business, and he certainly made his lone effort memorable; The Night of the Hunter is a strange, chilling, and uniquely compelling work that resembles no other American film of its era. Superbly shot by ace cinematographer Stanley Cortez, the film was obviously influenced by the look of German expressionist cinema, but Cortez and Laughton took the style's visual devices and reshaped them for their own purposes. The result is a film that resembles a reflected dream of childhood, foreign and troubling yet also very beautiful. Laughton drew a stunning performance from Robert Mitchum, who drops his usual veneer of casual cool and becomes disquietingly psychotic man of the cloth Harry Powell; his rapt sermon about the battle between love and hatred, and his murder of his new bride (Shelley Winters), rank with the most powerful and deeply etched moments of Mitchum's career. Legend has it that Laughton, who didn't care for children, instructed Mitchum to direct Billy Chapin and Sally Jane Bruce as the luckless Harper siblings, and, if it's true, Mitchum coaxed a pair of unusually naturalistic and affecting performances from his youthful co-stars, who never play "cute." Lillian Gish is a tower of both strength and compassion as Rachel Cooper, the saintly flip side to Mitchum's dark perversity; in a world where even the most loving and honorable adults have gone astray, Rachel alone offers love and protection without judgment to young people who need it, and Powell's venal, misogynist brutality are no match for her spiritual courage. It's a pity that Laughton never followed up on this remarkable debut; many long and successful careers have been launched by movies not half as impressive as The Night of the Hunter. Overlooked on its first release, The Night of the Hunter is now regarded as a classic." - www.allmovie.com

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