Mister Roberts 1955 - Petty tyranny and the man who fights it

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IMDB Rating: 7,9

Directors: John Ford, Mervyn LeRoy
Main Cast: Henry Fonda, James Cagney, William Powell, Jack Lemmon, Betsy Palmer, Ward Bond, Philip Carey

"Mister Roberts was one of the more thoughtful, reflective films from the 1950s to deal with World War II. It was a reflection of the distance filmmakers as well as the public had come from the war, a distance which allowed for a more sophisticated dramatic treatment of the conflict and the people involved. Other films during this era also reflected the new maturity, among them, The Caine Mutiny, Between Heaven and Hell, and The Naked and the Dead. Mister Roberts was the most successful of them all, and for good reason - though getting it made properly took real work. It stood to figure that John Ford was ideal for the project, since he loved the United States Navy more than almost anything else in his life (he retired from the reserves as a rear admiral). With Mister Roberts, however, Ford may have been too close to his subject to do justice to the script, and he butted up against the competing personality of star Henry Fonda. Fonda had scored a huge hit on Broadway in the stage version of Mister Roberts, but he'd given up hope of ever doing the movie, since he hadn't been on-screen in eight years and major studios weren't convinced that he was still a box office draw. As a condition of directing the film, Ford insisted on Fonda to star - but the two were at loggerheads from the beginning of the production, mainly over the director's tendency to inject rough-house comedy into his movies. Such an approach breathed life into Ford's somber cavalry movies, such as Fort Apache, but Mister Roberts was a character-driven story with very little real action, and Fonda thought the director's emphasis on laughs would destroy the integrity of the material. Ford's demanding, dictatorial directing style - exacerbated by his excessive drinking - created tension between the two, which erupted into a fistfight after only a few weeks' work. Ford left the production and was replaced by Mervyn LeRoy, who essentially asked the cast to use their best judgement and make the kind of movie Ford would've made. The end result is a finely textured character study that captured the best dramatic moments of the play as it interspersed an effective, new comic element. Fonda, who'd previously performed in four films for the director, would never work with Ford again; the director would only make one more navy film after Mister Roberts, the successful Donovan's Reef.
One of the finest service comedies ever made, Mister Roberts spawned a less amusing sequel, Ensign Pulver (1964), as well as a 1965 TV sitcom." - www.allmovie.com

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Jewel robbery 1932 - A pre-code little comedy gem

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IMDB rating: 7,6

Director: William Dieterle
Main Cast: William Powell, Kay Francis, Helen Vinson

"A bored Baroness discovers love and excitement when she becomes caught up in a thrilling jewel robbery.
Scintillating, light as air and slightly naughty, this pre-Code charmer will delight discriminating viewers looking for a sophisticated comedy, a little trifle with which to while away an idle hour. Thievery, marijuana and infidelity - while very serious subjects - are here satirized almost to the point of insignificance. The whole purpose of this forgotten film - which compares nicely with the best of Lubitsch - is to provide the audience with a good time, and in that it succeeds quite admirably.
Beautiful Kay Francis is enchanting, her cool demeanor barely concealing the mischievous passions just below her elegant surface. Very bored with her wealthy but unattractive husband (Henry Kolker), she yearns for a more exciting life. Gentlemanly thief William Powell provides that opportunity. Suave and debonair, he instantly makes the viewer forgive his regrettable vocation. As a twosome, the stars bring just the right frisson of pleasure to their scenes to please all but the most jaded viewer.
The supporting cast further adds to the film's fine distillation. Hardie Albright as Francis' admirer and Helen Vinson as her friend both portray willing partakers of Old Vienna's hedonistic lifestyle. Spencer Charters is very humorous as a completely incompetent night watchman. Sour Clarence Wilson plays a police official, while Alan Mowbray shines in his few minutes as a no-nonsense detective.
 Jewel Robbery was based on a play by Ladislas Fodor, previously filmed in an Austrian version."

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Man of the world 1931 - Powell and Lombard fall in love!

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IMDB rating: 6,3

Director: Richard Wallace
Main Cast: William Powell, Carole Lombard, Wynne Gibson

"A minor but fairly entertaining romance among the 'sophisticates', Man of the World is probably of most interest to fans of Carole Lombard interested in seeing the beautiful actress while she was still trying to define her screen persona. Regrettably, this is not one of Lombard's best performances. She does everything that is asked of her and does it perfectly well, but it's a performance that dozens of other attractive young women could have supplied. It lacks distinction and is a bit hesitant. Little of the vibrant radiance that would mark her in later roles is present here. Opposite her, her soon-to-be husband William Powell comes off much better, turning in a carefully shaded performance that is deceptive in its depth. It's Powell's picture, and he carries it beautifully; what he's asked to do in terms of plot and character is often ridiculous and forced by a writer's desire rather than by genuine sensibility, yet Powell makes it all work. A thinner than usual Guy Kibbee is also good, and Wynne Gibson's not-to-be-trifled with Irene is quite believable. Herman Mankiewicz's screenplay lacks credibility in its story and plot, but he turns out some crackling dialogue that makes up for its other shortcomings.
In real life, William Powell and Carole Lombard became husband and wife shortly after filming Man of the World." - www.allmovie.com

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The great Ziegfeld 1936 - The greatest showman

IMDB link: http://www.imdb.com/title/tt0027698/?ref_=nv_sr_1
IMDB rating: 6,9

Director: Robert Z. Leonard
Main Cast: William Powell, Myrna Loy, Luise Rainer, Frank Morgan, Fanny Brice, Virginia Bruce, Reginald Owen, Ray Bolger

"The Great Ziegfeld manages to combine an interesting story with spectacular production numbers, something that MGM musicals of the early sound era achieved on only an occasional basis. William Powell is fine as Florenz Ziegfeld, but it is Best Actress Oscar winner Louise Rainer who shines as Anna Held. Among the film's several pleasures are seeing real-life performers from the Ziegfeld era playing themselves, particularly Fanny Brice, later immortalized by Barbra Streisand in Funny Girl. Despite its 176-minute running time, The Great Ziegfeld maintains interest between its superb musical production numbers." - http://www.allmovie.com/movie/the-great-ziegfeld-v20813/

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My man Godfrey 1936 - One of the landmark screwball comedies of the 30's

IMDB link: http://www.imdb.com/title/tt0028010/
IMDB rating: 8,1

Director: Gregory La Cava
Main Cast: William Powell, Carole Lombard, Alice Brady, Gail Patrick, Eugene Pallette

"My Man Godfrey is one of the 1930's most delightful, classic screwball comedies. It was directed by Gregory La Cava for Universal and is now considered the definitive screwball comedy, with its social commentary on life during the 30s. The film, filled with marvelous character actors (Alice Brady, Eugene Pallette, Gail Patrick, and Mischa Auer), resonated with Depression era audiences for its statements on morality and class. [On a side note, the real-life divorced couple of Powell and Lombard were married previous to the film's making, from 1931 to 1933.] The screenplay by Morrie Ryskind - a co-screenwriter for the Marx Bros.' A night at the opera (1935) - and Eric Hatch was based on Hatch's own short novel 1011 Fifth Avenue.
The film displays the mad-cap personalities of a wildly rich, eccentric family. One of its members - a flighty socialite/heiress, finds a down-and-out 'forgotten man' tramp in a hobo colony during a scavenger hunt, and hires him as the family's butler. The bum teaches them the realities of life, ultimately regenerates their confused, scattered lives, and reverses the nobility of rich and poor.
The entertaining film was both a commercial and critical success, with six Academy Award nominations (but no wins), including Best Actor (William Powell), Best Actress (Carole Lombard with her sole Oscar nomination), Best Supporting Actor (Mischa Auer), Best Supporting Actress (Alice Brady), Best Director, and Best Screenplay. However, it set a milestone as the first film to receive nominations in all four acting categories and it remains one of the few films with that distinction in addition to not being nominated for Best Picture.
In the same year, another William Powell film - The Great Ziegfeld - won the Best Picture and Best Actress awards, and Powell also appeared in Libeled Lady (1936) and After the Thin Man (1936). The film was remade in 1957 with David Niven as the 'forgotten man' and June Allyson (in her next-to-last film) as the Lombard character."

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The thin man 1934 - A marvelous adaptation of the Hammett novel with great chemistry between Powell and Loy

IMDB link: http://www.imdb.com/title/tt0025878/
IMDB rating: 8,2

Director: W. S. Van Dyke
Main Cast: William Powell, Myrna Loy, Maureen O'Sullivan, Nat Pendleton

"Filmed on what MGM considered a B-picture budget and schedule (14 days, which at Universal or Columbia would have been considered extravagant), The Thin Man proved to be 'sleeper', spawning a popular film, radio, and television series. Contrary to popular belief, the title does not refer to star William Powell, but to Edward Ellis, playing the mean-spirited inventor who sets the plot in motion.
The Thin Man works because of the chemistry between stars William Powell and Myrna Loy (which would be adroitly exploited by MGM in several subsequent films, including five additional Thin Man mysteries produced between 1936 and 1948), and because screenwriters Albert Hackett and Frances Goodrich had the good sense to transfer Dashiell Hammett's source novel to the screen without substantial alterations to the story. Planned by MGM as a lower-profile release, the film nonetheless featured first-rate talent in front of and behind the camera, including director W.S. Van Dyke, cinematographer James Wong Howe, art director Cedric Gibbons, and sound engineer Douglas Shearer. The supporting cast features consistently good performances, with Maureen O'Sullivan the standout.
Surprisingly popular at the box office, The Thin Man was nominated for four Oscars, including Best Picture." - http://www.allmovie.com/movie/the-thin-man-v49456

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The Kennel murder case 1933 - The model of the whodunit genre

IMDB link: http://www.imdb.com/title/tt0024210/
IMDB rating: 6,9

Director: Michael Curtiz
Main Cast: William Powell, Mary Astor, Eugene Pallette, Ralph Morgan

"Often (and accurately) described as a model of the whodunit genre, The Kennel Murder Case stars William Powell, making his fourth screen appearance as S. S. Van Dine's dilettante detective Philo Vance.
Directed with crispness and efficiency by the reliable Michael Curtiz, the film is a good example of the high production standards of Warner Bros. in its post-silent era. The script is a solid whodunit packed with interesting characters, well-performed and impeccably cast. Much of the verbosity of S. S. Van Dine's novel is missing from Kennel Murder Case, making for a briskly told story." - http://www.allmovie.com/movie/the-kennel-murder-case-v27085

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One way passage 1932 - Romance... reaching the heights of heaven

IMDB link: http://www.imdb.com/title/tt0023305/
IMDB rating:  8,2

Director: Tay Garnett
Main Cast: William Powell, Kay Francis, Frank McHugh, Aline MacMahon

"William Powell plays a condemned murderer who is being transported from Hong Kong to San Quentin by way of a luxury liner. Also on board is the lovely Kay Francis, who is suffering from a fatal heart condition. The sympathetic detective (Warren Hymer) escorting Powell allows the prisoner to roam the decks without handcuffs, an opportunity Powell exploits by arranging an escape with two of his old cronies (Frank McHugh and Aline MacMahon). But when he meets Francis, Powell falls in love. Francis is equally smitten, and the two conduct an exquisite shipboard affair, neither telling the other of their impending doom. Powell makes his escape, but is halted in mid-flight when Francis has a heart attack. He rushes Francis back on board ship to her doctor, knowing full well that this will mean his recapture. As they bid goodbye, Powell and Francis promise to meet again one year later in Agua Caliente - a rendezvous that neither will survive to keep. One Way Passage was remade in 1940 as 'Til We Meet Again." - http://www.allmovie.com/movie/one-way-passage-v104926

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