Pride and prejudice 1940 - Jane Austen in the Hollywood fashion

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IMDB rating: 7,5

Director: Robert Z. Leonard
Main Cast: Greer Garson, Laurence Olivier, Maureen O'Sullivan, Ann Rutherford, Marsha Hunt, Heather Angel, Mary Boland, Edmund Gwenn

"Pride and Prejudice is a moderately faithful re-telling of Jane Austen's best-known novel. The protagonists are appropriately composed in the pre-Victorian England setting, championing Austen's rebellion against what she saw as the excessive emotionalism and romantic world view of the literature of her time. Austen's aim of puncturing holes in the snootiness of upper-middle class figures is retained in Aldous Huxley's screenplay and Robert Leonard's occasionally stiff direction. The unlikely romance of the leads, played conventionally but effectively by the attractive pair of Laurence Olivier and Greer Garson, evolves from contempt to understanding to affection, retaining a modern appeal in its focus on illusory first impressions and the follies of personal pride and class prejudice. Though Austen's novel was set in 1813, the year of its publication, the film version takes place in 1835, reportedly so as to take advantage of the more attractive costume designs of that period. Not surprisingly, a few changes had to be made to mollify the Hollywood censors (eager to find offense in the most innocent of material): the most notable is the character of Mr. Collins (Melville Cooper), transformed from the book's hypocritical clergyman to the film's standard-issue opportunist." - www.allmovie.com

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Tarzan, the ape man 1932 - The one and only original Tarzan movie that started it all

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IMDB rating: 7,2

Director: W. S. Van Dyke
Main Cast: Johnny Weissmuller, Maureen O'Sullivan, C. Aubrey Smith, Neil Hamilton, Doris Lloyd

"Tarzan, The Ape Man was not only MGM's inaugural Tarzan film, but also the first to star former Olympic swimming champ Johnny Weissmuller as The Lord of the Jungle (strange but true: one of the pre-Weissmuller Tarzan candidates was Clark Gable!)
Utilizing scads of stock footage from MGM's Trader Horn (1931), the film begins with great white hunter James Parker (C. Aubrey Smith) trekking through darkest Africa in search of the legendary Elephant Graveyard. Accompanying Parker is his daughter Jane (Maureen O'Sullivan) and her erstwhile beau Harry Holt (Neil Hamilton). The expedition is habitually sabotaged by the ecology-conscious Tarzan, a white man who'd been lost in the jungle years earlier and raised by Apes. Tarzan kidnaps Jane and spirits her away to the treetops, where she gradually overcomes her fear of the Loinclothed One and teaches him to speak English. The perfect gentleman, Tarzan returns Jane to her father and swings off into the distance. When Parker, Jane and Holt are captured by pygmies, Tarzan comes to the rescue, with an entourage of his elephant friends. At fade-out time, Jane has decided to renounce civilization and spend the rest of her life with Tarzan.
The only one of the MGM Tarzans actually based on the Edgar Rice Burroughs originals, Tarzan the Ape Man proved a surprise hit, spawning an endless parade of sequels and remakes.
The movie was one of Irving Thalberg's 'pet' projects at MGM, an opportunity to take an existing franchise (Edgar Rice Burroughs' jungle lord had been a film staple since beefy Elmo Lincoln donned a loincloth, in 1918), give it 'A'-list production values and a 'name' director (W.S. Van Dyke), introduce charismatic actors as the leads (28-year old multiple Olympic champion Johnny Weissmuller and 21-year old Irish import Maureen O'Sullivan), and create a 'definitive' success for the studio." - www.allmovie.com

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David Copperfield 1935 - A great adaptation with strong performances

IMDB link: http://www.imdb.com/title/tt0026266/
IMDB rating: 7,6

Director: George Cukor
Main Cast: Freddie Bartholomew, Frank Lawton, W. C. Fields, Lionel Barrymore, Maureen O'Sullivan, Madge Evans, Edna May Oliver, Roland Young, Elizabeth Allan, Basil Rathbone, Elsa Lanchester

"David Copperfield was MGM's major Christmas release for its 1934-1935 season and also the first of producer David O. Selznick's major 'literary' films for that studio. While a great deal of editing and streamlining was necessary to distill Charles Dickens' massive novel into 133 minutes of screen time, the end result was so successful that only the nittiest of nitpickers complained about the excised characters and events.
This 1935 adaptation of David Copperfield has endeared itself to generations of movie audiences in spite of artistic and technical flaws reflecting the state of the movie art in filmdom's infancy. The success of the production derives mainly from its loyalty to the spirit of the novel, its atmospheric depiction of 19th century England, and its talented adult actors. On the other hand, the child actors - Freddie Bartholomew (David as a boy), Fay Chaldecott (Little Emily), and Marilyn Knowlden (Agnes as a little girl) - all perform with the overwrought theatricality of elementary students in a school play. Moreover, Elizabeth Allan as Mrs. Clara Copperfield fairly reeks of maudlin melodrama. Even her two-second fainting spell is overdone. Director George Cukor may be responsible for the weak performances of Allen and the children; Cukor's choppy transition style also hurts the film. He unceremoniously cuts off one scene, then begins rolling the camera again elsewhere.
Originally, Charles Laughton was slated to play Micawber, but he pulled out of the production, worried that he wouldn't be funny enough. The casting of W. C. Fields was an inspired choice: although he injects his own established screen personality at every opportunity, Fields was born to play Micawber. Likewise, second-billed Lionel Barrymore fits his portrayal of crusty old Dan Peggoty like a glove. In fact, there isn't a false bit of casting in the whole production, and this, as much as Selznick's sumptuous production values, is the key to David Copperfield's enormous success." - http://www.allmovie.com/movie/david-copperfield-v12542

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The Barretts of Wimpole Street 1934 - An appealing costume drama of Hollywood's golden age

IMDB link: http://www.imdb.com/title/tt0024865/?ref_=fn_al_tt_1
IMDB ratings: 7,1

Director: Sidney Franklin
Main Cast: Norma Shearer, Fredric March, Charles Laughton, Maureen O'Sullivan

"No studio other than MGM would have dared to mount such a sumptuous production of Rudolph Besier's highly flowery and romanticized 1930 play about the clandestine courtship and eventual marriage of poets Elizabeth Barrett (Norma Shearer) and Robert Browning (Fredric March). And only MGM employed a producer with enough taste, patience and eye for details like Irving Thalberg, who quite fortuitously substituted his exquisite wife, Shearer, for the studio's original choice to play Elizabeth, the highly unsuitable Marion Davies. The result is a surprisingly entertaining and quite cinematic version of a rather static play, teeming with the kind of supporting performances that became the trademark of Thalberg's brief reign as Hollywood's wunderkind. Here is a very young Maureen O'Sullivan as Henrietta Browning, bubbling with teenaged enthusiasm in spite of her dreary existence; stage actress Marion Clayton as the fluttery, lisping cousin Bella; Ian Wolfe as Bella's foppish intended ('Come, come, dear pet!'); and the amazing Una O'Connor as Elizabeth's maid and confidante Wilson, all but levitating across a room in humble servility. And towering above them all is Charles Laughton's manipulative, nearly incestuous Edward Moulton-Barrett. Borrowed for the occasion from Paramount, Laughton is never allowed to indulge in his usual scenery-chewing and Barrett remains among the very best of his early Hollywood performances.
Director Sidney A. Franklin also helmed a remake of The Barretts of Wimpole Street (1957); it was his last film." - http://www.allmovie.com/movie/the-barretts-of-wimpole-street-v3998

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Tarzan and his mate 1934 - The best of any Tarzan movies

IMDB link: http://www.imdb.com/title/tt0025862/?ref_=nv_sr_1
IMDB rating: 7,7

Director: Jack Conway, Cedric Gibbons
Main Cast: Johnny Weissmuller, Maureen O'Sullivan, Neil Hamilton, Paul Cavanagh

"Considered by many the best of the Johnny Weissmuller Tarzan films, and arguably the best of any Tarzan movies, Tarzan and His Mate is also amazingly adult. Certainly it is the sexiest and it's not just because of the famous nude swimming scene, several other near-nude moments, and Jane's rather scanty wardrobe. It also has to do with the manner in which Tarzan and Jane relate to each other. Their words don't necessarily tell us anything, but the way they look at and handle each other indicates that theirs is a healthily erotic relationship. Mate also has a much better script than is usual for the series, with some very compelling moments involving Jane's commitment to Tarzan and their way of life. There's also plenty of action and adventure. Modern audiences may find some of the special effects quite dated, but if one can look past that, the sequences themselves are quite exciting. Director Jack Conway (who took over from credited Cedric Gibbons) does a sterling job, creating a tremendous amount of tension and suspense throughout, but finding time to concentrate on character development as well. Weissmuller, though somewhat limited as an actor, is in his element here and turns in one of his finest performances. But it's Maureen O'Sullivan who walks away with the acting honors; her work here is wonderful, much more detailed and nuanced than one expects in a 'jungle flick'. Tarzan and His Mate would be worth seeing even with a lesser actress, but with O'Sullivan it becomes required viewing. - http://www.allmovie.com/movie/tarzan-and-his-mate-v48678

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The thin man 1934 - A marvelous adaptation of the Hammett novel with great chemistry between Powell and Loy

IMDB link: http://www.imdb.com/title/tt0025878/
IMDB rating: 8,2

Director: W. S. Van Dyke
Main Cast: William Powell, Myrna Loy, Maureen O'Sullivan, Nat Pendleton

"Filmed on what MGM considered a B-picture budget and schedule (14 days, which at Universal or Columbia would have been considered extravagant), The Thin Man proved to be 'sleeper', spawning a popular film, radio, and television series. Contrary to popular belief, the title does not refer to star William Powell, but to Edward Ellis, playing the mean-spirited inventor who sets the plot in motion.
The Thin Man works because of the chemistry between stars William Powell and Myrna Loy (which would be adroitly exploited by MGM in several subsequent films, including five additional Thin Man mysteries produced between 1936 and 1948), and because screenwriters Albert Hackett and Frances Goodrich had the good sense to transfer Dashiell Hammett's source novel to the screen without substantial alterations to the story. Planned by MGM as a lower-profile release, the film nonetheless featured first-rate talent in front of and behind the camera, including director W.S. Van Dyke, cinematographer James Wong Howe, art director Cedric Gibbons, and sound engineer Douglas Shearer. The supporting cast features consistently good performances, with Maureen O'Sullivan the standout.
Surprisingly popular at the box office, The Thin Man was nominated for four Oscars, including Best Picture." - http://www.allmovie.com/movie/the-thin-man-v49456

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