Trouble in Paradise 1932 - The most accomplished example of the 'Lubitsch touch'

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IMDB rating: 8,2

Director: Ernst Lubitsch
Main Cast: Miriam Hopkins, Kay Francis, Herbert Marshall, Charles Ruggles, Edward Everett Horton, C. Aubrey Smith

"Ernst Lubitsch used Laszlo Aladar's play The Honest Finder as a springboard for one of his most delightful early-'30s Paramount confections. With a script by Samson Raphaelson and Grover Jones, Lubitsch derives sparkling humor from the lusty (Pre-Code) love triangle among two jewel thieves, Lily and Gaston, and their intended victim, Mme. Colet. From the opening image of a garbage gondola's gliding through the picturesque Venice canals, Lubitsch makes light of the notion that amorality lies beneath the glossy exteriors of the rich. Elegantly sending up idealized movie romance, Gaston and Lily fall in love as they attempt to rob each other blind over an intimate dinner, sealing a bond between two scoundrels. Such Lubitsch details as a hand's hanging a 'Do Not Disturb' sign on a doorknob and the shadow of a couple cast on a bed neatly communicate the nature of Gaston's relationships with Lily and Mme. Colet, complementing the clever dialogue, spiked with nimble come-ons and ripostes, and delivered with aplomb by Herbert Marshall, Miriam Hopkins, and Kay Francis. Praised for its smoothly imaginative technique and comic invention, Trouble in Paradise burnished Lubitsch's reputation as Paramount's premier purveyor of 1930s Continental class, and it is still considered one of the best adult comedies ever made." - www.allmovie.com

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Jewel robbery 1932 - A pre-code little comedy gem

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IMDB rating: 7,6

Director: William Dieterle
Main Cast: William Powell, Kay Francis, Helen Vinson

"A bored Baroness discovers love and excitement when she becomes caught up in a thrilling jewel robbery.
Scintillating, light as air and slightly naughty, this pre-Code charmer will delight discriminating viewers looking for a sophisticated comedy, a little trifle with which to while away an idle hour. Thievery, marijuana and infidelity - while very serious subjects - are here satirized almost to the point of insignificance. The whole purpose of this forgotten film - which compares nicely with the best of Lubitsch - is to provide the audience with a good time, and in that it succeeds quite admirably.
Beautiful Kay Francis is enchanting, her cool demeanor barely concealing the mischievous passions just below her elegant surface. Very bored with her wealthy but unattractive husband (Henry Kolker), she yearns for a more exciting life. Gentlemanly thief William Powell provides that opportunity. Suave and debonair, he instantly makes the viewer forgive his regrettable vocation. As a twosome, the stars bring just the right frisson of pleasure to their scenes to please all but the most jaded viewer.
The supporting cast further adds to the film's fine distillation. Hardie Albright as Francis' admirer and Helen Vinson as her friend both portray willing partakers of Old Vienna's hedonistic lifestyle. Spencer Charters is very humorous as a completely incompetent night watchman. Sour Clarence Wilson plays a police official, while Alan Mowbray shines in his few minutes as a no-nonsense detective.
 Jewel Robbery was based on a play by Ladislas Fodor, previously filmed in an Austrian version."

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One way passage 1932 - Romance... reaching the heights of heaven

IMDB link: http://www.imdb.com/title/tt0023305/
IMDB rating:  8,2

Director: Tay Garnett
Main Cast: William Powell, Kay Francis, Frank McHugh, Aline MacMahon

"William Powell plays a condemned murderer who is being transported from Hong Kong to San Quentin by way of a luxury liner. Also on board is the lovely Kay Francis, who is suffering from a fatal heart condition. The sympathetic detective (Warren Hymer) escorting Powell allows the prisoner to roam the decks without handcuffs, an opportunity Powell exploits by arranging an escape with two of his old cronies (Frank McHugh and Aline MacMahon). But when he meets Francis, Powell falls in love. Francis is equally smitten, and the two conduct an exquisite shipboard affair, neither telling the other of their impending doom. Powell makes his escape, but is halted in mid-flight when Francis has a heart attack. He rushes Francis back on board ship to her doctor, knowing full well that this will mean his recapture. As they bid goodbye, Powell and Francis promise to meet again one year later in Agua Caliente - a rendezvous that neither will survive to keep. One Way Passage was remade in 1940 as 'Til We Meet Again." - http://www.allmovie.com/movie/one-way-passage-v104926

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