Ugetsu monogatari 1953 - A subtle blending of realistic period reconstruction and lyrical supernaturalism

IMDB Link
IMDB Rating: 8,1

Director: Kenji Mizoguchi
Main Cast: Masayuki Mori, Machiko Kyo, Kinuyo Tanaka, Mitsuko Mito

"Based on a pair of 18th century ghost stories by Ueda Akinari, the film's release continued Mizoguchi's introduction to the West, where it was nominated for an Oscar and won the the Venice Film Festival's Silver Lion award (for Best Direction). Displaying all of the hallmarks of Kenji Mizoguchi's quietly affecting style, this landmark film has been one of the most highly praised Japanese movies, garnering the admiration of such directors as Jean-Luc Godard and Jacques Rivette. Mizoguchi's fluid camerawork expands this otherworldly tragedy into a profound meditation on the transience of human life. In one of the film's most noted scenes, Genjuro relaxes in a hot spring as his beautiful spirit-lover disrobes. The camera coyly pans away, tilts downwards, and tracks along the ground. The barren ripples of ground dissolve to a Zen rock garden; then the camera tilts up to reveal the couple picnicking at a lakeside park. In this one elegant device, Mizoguchi evokes not only the passage of time but also emptiness and impermanence, as he passes the viewer through an unpeopled space. His signature lyricism frames unfolding human dramas as one small part of life's immutable ebb and flow. A brilliant summation of Mizoguchi's motifs and visual poetry, Ugetsu remains one of the masterpieces of world cinema." - www.allmovie.com

DVD links:

Orphée (Orpheus) 1950 - Cocteau's poetic rendition of the physical world and the afterlife

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IMDB rating: 8,1

Director: Jean Cocteau
Main Cast: Jean Marais, Francois Perier, Maria Casares, Maria Dea

"Cinematic poet Jean Cocteau explored the myth of Orpheus on no fewer than three occasions: Le Sang d'Un Poete (Blood of a Poet, 1930), Orphee (Orpheus, 1950) and Le Testament d'Orphee (1960). This second of his 'Orpheus' trilogy stars Jean Marais in the title role. Updated to contemporary Paris (albeit a Paris never seen before or since), the story concerns a sensitive young poet named Orpheus, who is married to the lovely Eurydice (Marie Dea). Orpheus' friend Cegeste (Edouard Dermit) is killed in a traffic accident. In the hospital morgue, Cegeste's patroness, The Princess of Death (Maria Casares), revives the young man; then, both Cegeste and Princess pass into the Underworld. Back on earth, Orpheus receives cryptic messages from Cegeste's spirit, as well as nocturnal visitations from the Princess. Meanwhile, Orpheus' wife enters into an affair with Heurtebise (Francois Perier). After seeking advice on her mixed-up love life, Eurydice is herself struck down and killed by the same cyclist who snuffed out Cegeste's life. It appears to Heurtebise that the ghostly Princess has claimed Eurydice so that she, the Princess, can be free to love Orpheus. Heurtebise persuades Orpheus to accompany him into the Underworld in hopes of returning Eurydice to life. By now, however, Orpheus cares little for his wife; he is completely under the Princess' spell. Offered her own liberation from the Underworld by the powers-that-be, the Princess dolefullly agrees to restore Eurydice to life, and to never have anything to do with Orpheus again." - www.allmovie.com

Download links:

(French Blu-Ray Rip, avi, 1,37 GB):

http://turbobit.net/pib3h3cniffb.html?ps=9371

A Christmas carol 1951 - The classic and definitive version of Dicken's novel

IMDB Link
IMDB rating: 8,1

Director: Brian Desmond Hurst
Main Cast: Alastair Sim, Jack Warner, Kathleen Harrison, Mervyn Johns, Hermione Baddeley, Michael Hordern

"A Christmas Carol (Scrooge in UK release) is remarkable for staying faithful to Charles Dickens's classic story as it remains fresh and vivid, even upon repeat viewings. The entire cast is excellent, but it is the great performance of Alastair Sim as Ebenezer Scrooge that distinguishes this version from several other adaptations of this work. Sim creates a complex characterization, and, in the film's many flashback scenes, the audience is given a compelling view of the character as he evolves into the not-so-lovable curmudgeon visited by ghosts. Indeed, such complexity is necessary for the story to have its full impact, as the viewer must feel both sympathy and disapproval for Scrooge, a difficult combination for an actor to convey. The crisp, black-and-white cinematography of C.M. Pennington-Richards is also a major asset. This is one of the most convincing of all recreations of Dickens' England, with almost no condescension to sentimentality from director Brian Desmond Hurst." - www.allmovie.com

DVD links:

La belle et la bete (Beauty and the beast) 1946 - A visually stunning fantasy

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IMDB rating: 8,0

Director: Jean Cocteau
Main Cast: Jean Marais, Josette Day

"Jean Cocteau's most popular film, this 1946 masterpiece is perhaps the most faithful of the many film versions of the 1756 fairy tale written by Jeanne-Marie Leprince de Beaumont. Though the ending is a bit on the strange side - the Beast morphs into a prince who looks exactly like Belle's hapless suitor, and her disappointment is unmistakable -- the film features tight, economical storytelling and enough visual fireworks (including many stunningly executed optical effects) to enrapture viewers from beginning to end. The actors are uniformly wonderful; Josette Day makes a stunning Belle, and Cocteau regular Jean Marais excels in a triple role that includes the magnificent Beast. The real stars of the film, though, are Cocteau himself, who gives the film a shimmering, romantic look, and the brilliant costume and set design. The Beast's makeup, in particular, works beautifully; it's just realistic enough to be convincing, while allowing Marais to emote through his eyes and subtle facial tics. The unforgettable sets, which include human-arm candelabras and moving statues, are a marvel of impressionistic romanticism, filled with symbolism that hints at the story's darker implications." - www.allmovie.com

DVD links:

A matter of life and death 1946 - Very imaginative, deeply romantic fantasy-comedy

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IMDB rating: 8,1

Directors: Michael Powell, Emeric Pressburger
Main Cast: David Niven, Kim Hunter, Robert Coote, Kathleen Byron, Richard Attenborough

"A matter of life and death could easily be the most complex movie to come out of World War II. The film is a comedy that often leaves its viewers in tears; a romantic drama that makes audiences laugh; a literate movie with a multi-layered script that gives nods to Shakespeare and Schiller; yet, a film so dazzling in its visuals that it requires more than one viewing to absorb fully. Also known as Stairway to Heaven, the movie is a remarkable British fantasy film that became the surprise hit of 1946. David Niven stars as Peter Carter, a World War II RAF pilot who is forced to bail out of his crippled plane without a parachute. He wakes up to find he has landed on Earth utterly unharmed...which wasn't supposed to happen according to the rules of Heaven. A celestial court argues over whether or not to claim Carter's life or to let him survive to wed his American sweetheart (Kim Hunter). During an operation, in which Carter hovers between life and death, he dreams that his spirit is on trial, with God (Abraham Sofaer) as judge and Carter's recently deceased best friend (Roger Livesey) as defense counsel. The film tries to have it both ways by suggesting that the heavenly scenes are all a product of Carter's imagination, but the audience knows better. Among the curious but effective artistic choices in A Matter of Life and Death was the decision to film the earthbound scenes in Technicolor and the Heaven sequences in black-and-white. The film was a product of the adventuresome team known as 'The Archers': Michael Powell and Emeric Pressburger." - www.allmovie.com

DVD links:

It's a wonderful life 1946 - The most loved Christmas classic of all time

IMDB Link
IMDB rating: 8,7

Director: Frank Capra
Main Cast: James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, Henry Travers, Beulah Bondi, Gloria Grahame

"The image of It's a Wonderful Life has undergone a complete transformation since its 1946 release. In its own time, Frank Capra's comedy-drama about the dark side of human nature was a modest failure, neither a box-office success nor a critical favorite, though it garnered some recognition in the form of 5 Oscar nominations, including Best Picture. For the next 28 years, the movie remained a cult favorite among movie buffs and Capra fans. Then the movie's copyright was allowed to lapse and suddenly, during the early 1980s around Christmas (the season in which the film is set), it seemed possible to flip on the TV at random some nights and find the movie playing somewhere on the dial, and that went double for Christmas Day, Christmas Eve, and New Year's. The public came out regarding the film as a lost classic; Capra lived just long enough to reap some of the belated acclaim, and his estate later benefitted from the sales of the films that he owned outright, such as Broadway Bill and Lady For a Day. The movie is in fact a dark, disturbing look at small-town American life between the two world wars, rife with class envy and fears of modernity, and featuring a before-its-time portrayal of George Bailey's middle-aged sense of failure that seems more appropriate for an American film of the Seventies." - www.allmovie.com

DVD links:

Les visiteurs du soir (The Devil's envoys) 1942 - A fascinating legend stirring in the midst of the French Resistance

IMDB Link
IMDB rating: 7,5

Director: Marcel Carne
Main Cast: Arletty, Marie Dea, Fernand Ledoux, Alain Cuny

"Originally released in 1942 as Les Visiteurs du Soir, The Devil's Envoys is another masterful collaboration between actress Arletty, writer Jacques Prevert and director Marcel Carne, who would team up one year later for the brilliant Les Enfants Du Paradis. The film is predicated on the 15th century French legend, wherein the Devil, disturbed by the encroaching forces of Good, sends his envoys to Earth to drive the citizens to despair. The Devil, played by Jules Berry in a subtly Hitler-like fashion (a chancy artistic decision in the days of the Occupation), is thwarted when his agents are unable to overcome the power of true love. Even after the lovers are turned to stone for defying His Satanic Majesty, their hearts continue to beat for each other." - www.allmovie.com

DVD links:

(DVDrip, xvid, 1 GB):

http://netload.in/dateibUL7joDT7P/Les.Visiteurs.Du.Soir.1942.FRENCH.DVDRIP.XVID.AC3.part1.rar.htm
http://netload.in/dateibw7gXqV7jU/Les.Visiteurs.Du.Soir.1942.FRENCH.DVDRIP.XVID.AC3.part2.rar.htm

(English subtitle):

http://rapidgator.net/file/74132751
http://rapidgator.net/file/74132752

Heaven can wait 1943 - A charming nostalgic comedy from Lubitsch

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IMDB rating: 7,6

Director: Ernst Lubitsch
Main Cast: Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main, Laird Cregar, Spring Byington, Allyn Joslyn, Eugene Pallette, Signe Hasso, Louis Calhern

"Based on Birthdays, a play by Laslo Bus-Fekete, Heaven Can Wait was Ernst Lubitsch's last great movie. The enduring classic came at the end of two decades of excellent work, which included such Hollywood masterpieces as Trouble in Paradise, Ninotchka, The Shop Around the Corner and To Be or Not to Be. In this era, the 'Lubitsch Touch' became a marketable moniker which characterized his impact on the early sound days of Hollywood. Heaven is typical of the 'Touch': it's a perfect blend of sophistication, romance, wit and bittersweet sentiment. The benevolent story reveals Don Ameche's life to be as average as any man's, but Lubitsch's genuine tenderness elevates the tale to the majestic. Ameche and Gene Tierney deliver mature, convincing performances, appropriate to the subject matter. Heaven was nominated for Oscars for Best Picture, Director, and Cinematography, and was a significant influence on director Frank Capra's beloved It's a Wonderful Life." - www.allmovie.com

DVD links:

The wizard of Oz 1939 - The movie which catapulted Garland into stardom

IMDB Link
IMDB rating: 8,1

Director: Victor Fleming
Main Cast: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, Margaret Hamilton

"The third and definitive film adaptation of L. Frank Baum's 1900 children's fantasy, this musical adventure is a genuine family classic that made Judy Garland a star for her heartfelt performance as Dorothy Gale, an orphaned young girl unhappy with her drab black-and-white existence on her aunt and uncle's dusty Kansas farm. Dorothy yearns to travel 'over the rainbow' to a different world, and she gets her wish when a tornado whisks her and her little dog, Toto, to the Technicolorful land of Oz.
The lavish MGM production of L. Frank Baum's children's book may have lost a million dollars on its initial release, but its songcraft, technical artistry, star-making performance from Judy Garland, and unexpected TV success turned it into a perennial classic. With future ace MGM musical producer Arthur Freed lending producer Mervyn LeRoy an uncredited hand in pre-production, Cedric Gibbons' art direction, Adrian's costumes, and Hal Rosson's sparkling cinematography maximized the creative potential of Technicolor film, as Dorothy goes 'over the rainbow' from a sepia-toned black-and-white Kansas to a fantastically rendered Oz of ruby slippers, emerald cities, and yellow brick roads. Lent ample support by vaudeville vets Ray Bolger, Jack Haley, and Bert Lahr, neophyte Garland delivered a touching performance as Dorothy, proving that she had the acting talent to match her superb singing. As with Gone With the Wind, the film went through several directors and Victor Fleming got the credit; King Vidor directed the Kansas sequences, including Garland's solo 'Over the Rainbow'. Almost cut for the sake of pacing, 'Over the Rainbow' became an Oscar winner for Best Song and a Garland standard. Garland was MGM's second choice for Dorothy after Shirley Temple dropped out of the project; and Bolger was to have played the Tin Man but talked co-star Buddy Ebsen into switching roles. When Ebsen proved allergic to the chemicals used in his silver makeup, he was replaced by Haley. Gale Sondergaard was originally to have played the Wicked Witch of the West in a glamorous fashion, until the decision was made to opt for belligerent ugliness, and the Wizard was written for W.C. Fields, who reportedly turned it down because MGM couldn't meet his price. Although the 2.7-million-dollar film wilted at the box office, The Wizard of Oz was nominated for several Oscars, including Best Picture (which it lost to Gone With the Wind), winning for Herbert Stothart's score and Harold Arlen and E.Y. Harburg's song. It was the first feature sold for prime-time TV telecast, and its 1956 TV debut was a ratings hit, finally turning it into the crowd-pleasing blockbuster that MGM had always meant it to be." - www.allmovie.com

DVD links:

The man who could work miracles 1936 - A parable on power and human conditions

IMDB link: http://www.imdb.com/title/tt0029201/?ref_=fn_al_tt_1
IMDB rating: 7,2

Director: Lothar Mendes
Main Cast: Roland Young, Ralph Richardson, Edward Chapman, Joan Gardner

"The Man Who Could Work Miracles is a cheerful excursion into somewhat whimsical science fiction - 'somewhat' because it is more the treatment than the subject matter itself that is whimsical. Indeed, the basic messages behind Miracles are familiar ones of H.G. Wells: that mankind must find some way to end its obsession with wars and pointless aggression, that the differences between people make it impossible for one point of view to always prevail, and that absolute power by itself cannot bring about a utopia. But director Lothar Mendes treats most of this with a very light touch, helping to keep some of the preachiness at bay and therefore rendering it all the more effective. The plot itself is rather delightful and the screenplay has a number of inventive elements, starting with the trio of gods that open the film. Miracles also benefits from the performance of Roland Young in the title role, who is perfect as the non-descript, average "little" man suddenly elevated to heights of unimaginable power. What may be a surprise to modern audiences is how well the special effects have held up. While not on par with today's computer-generated work, they are still quite impressive and add considerably to film's impact." - http://www.allmovie.com/movie/the-man-who-could-work-miracles-v31099/

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