Rear window 1954 - Hitchcock's masterpiece in voyeurism

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IMDB Rating: 8,6

Director: Alfred Hitchcock
Main Cast: James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Raymond Burr

"One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism.
On the surface a comic thriller about a photographer and the crime he thinks took place across the courtyard, Alfred Hitchcock's Rear Window (1954) turns into an interrogation of voyeurism and movie-viewing. Keeping the camera in Jeff's apartment (except for a couple of shots near the climax), Hitchcock limits the audience's view to what Jeff can see and hear from his immobilized perch. He is free to take in the spectacle of the events in the apartments that he sees, but he is powerless to intervene. Why he looks, however, is the larger question; Hitchcock suggests not just that Jeff is channel-surfing among apartments for idle entertainment but also that the urge to peep is a more universal trait than we might care to acknowledge. What Jeff finds, moreover, becomes a fantasy projection of his own fears about his own relationship with Lisa. Jeff becomes a voyeur to escape, but his gaze is literally - and violently - turned back on him by the suspected wife-killer in his thriller narrative. Wryly entertaining as well as skillfully executed and thematically complex, the popular Rear Window earned Hitchcock an Oscar nomination for Best Director and inspired such later films as Francis Ford Coppola's The Conversation (1974) and Brian De Palma's Sisters (1973). It was remade in 1998 as a TV movie with Christopher Reeve in the James Stewart role." - www.allmovie.com

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Harvey 1950 - A true classic about tolerance and faith

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IMDB rating: 8,1

Director: Henry Koster
Main Cast: James Stewart, Josephine Hull, Peggy Dow, Charles Drake, Cecil Kellaway

"This whimsical fantasy about a local drunk's 6' 3 1/2" imaginary rabbit pal was a smash hit (and a Pulitzer Prize winner) on Broadway and was then adapted into this likeable farce that's also an allegory about tolerance. James Stewart stars as Elwood P. Dowd, a wealthy tippler whose sunny philosophy and inebriated antics are tolerated by most of the citizenry. That is, until Elwood begins claiming that he sees a 'pooka' (a mischievous Irish spirit), which has taken the form of a man-sized bunny named Harvey. Although everyone is certain that Elwood has finally lost his mind, Harvey's presence begins to have magically positive effects on the townsfolk, with the exception of Elwood's own sister Veta (Josephine Hull), who, ironically, can also occasionally see Harvey. A snooty socialite, Veta is determined to marry off her daughter, Myrtle (Victoria Horne), to somebody equally respectable, and Elwood's lunacy is interfering. When Veta attempts to have Elwood committed to an insane asylum, however, the result is that she is accidentally admitted instead of her brother. Then the institution's director, Dr. Chumley (Cecil Kellaway), begins seeing Harvey, too. Hull, who reprised her part from the stage production, won an Oscar and a Golden Globe." - www.allmovie.com

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It's a wonderful life 1946 - The most loved Christmas classic of all time

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IMDB rating: 8,7

Director: Frank Capra
Main Cast: James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell, Henry Travers, Beulah Bondi, Gloria Grahame

"The image of It's a Wonderful Life has undergone a complete transformation since its 1946 release. In its own time, Frank Capra's comedy-drama about the dark side of human nature was a modest failure, neither a box-office success nor a critical favorite, though it garnered some recognition in the form of 5 Oscar nominations, including Best Picture. For the next 28 years, the movie remained a cult favorite among movie buffs and Capra fans. Then the movie's copyright was allowed to lapse and suddenly, during the early 1980s around Christmas (the season in which the film is set), it seemed possible to flip on the TV at random some nights and find the movie playing somewhere on the dial, and that went double for Christmas Day, Christmas Eve, and New Year's. The public came out regarding the film as a lost classic; Capra lived just long enough to reap some of the belated acclaim, and his estate later benefitted from the sales of the films that he owned outright, such as Broadway Bill and Lady For a Day. The movie is in fact a dark, disturbing look at small-town American life between the two world wars, rife with class envy and fears of modernity, and featuring a before-its-time portrayal of George Bailey's middle-aged sense of failure that seems more appropriate for an American film of the Seventies." - www.allmovie.com

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The shop around the corner 1940 - Charming Hungarian story wrapped up with an American ribbon

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IMDB rating: 8,1

Director: Ernst Lubitsch
Main Cast: Margaret Sullavan, James Stewart, Frank Morgan, Joseph Schildkraut

"The Shop Around the Corner is adapted from the Hungarian play by Nikolaus (Miklos) Laszlo. The movie is one of the screen's best romantic comedies, and an excellent example of the subtle humor and wry character interplay that marked the films of director Ernst Lubitsch. The plot - likeable people (James Stewart and Margaret Sullavan) who are antagonists in real life but also anonymous pen pals are infatuated with each other - is ripe with comic potential, but Lubitsch takes the material further, including several bittersweet subplots that give the film richness and texture. The supporting performances are first-rate, particularly Frank Morgan and Joseph Schildkraut, and the film has the classy look that was a hallmark of MGM films of this era. Directed with comic delicacy by Lubitsch, this was later remade in 1949 as In the Good Old Summertime, and in 1998 as You've Got Mail. It was also musicalized as the 1963 Broadway production She Loves Me." - www.allmovie.com

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The Philadelphia story 1940 - Hepburn's spectacular comeback, Stewart's Academy Award

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IMDB rating: 8,1

Director: George Cukor
Main Cast: Cary Grant, Katharine Hepburn, James Stewart, Ruth Hussey, John Howard, Roland Young

"Playwright Philip Barry reportedly based the central character of The Philadelphia Story on Katharine Hepburn's brittle public persona, so it should be little surprise that she plays the part so well. The film is a quick-witted translation of the play, essentially a parlor drama with witty, Oscar Wilde-like banter and glib repartee from nearly every actor. There are moments of rare beauty in the dialogue, even if director George Cukor rarely uses them to give the film more visual flair or energy. The story both spoofs and plays sly homage to Clifford Odets' earnest socialist dramas, in which kind-hearted socialites learn to love and admire the working poor - except that, in The Philadelphia Story, Hepburn turns her back on the working-class hero and returns to her own kind, the aristocratic, debonair, completely irresistible Cary Grant (who does a wonderful job of being... Cary Grant). The aristocrats are well-skewered by the delightful screenplay, and James Stewart is excellent as the cynical but smitten reporter, in a performance that won him his only Academy Award. Donald Ogden Stewart (no relation to Jimmy) also copped an Oscar for Best Adapted Screenplay. The Philadelphia Story was remade in 1956 with a Cole Porter musical score as High Society." - www.allmovie.com

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Mr. Smith goes to Washington 1939 - One of the greatest American films about American ideals

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IMDB rating: 8,3

Director: Frank Capra
Main Cast: James Stewart, Jean Arthur, Claude Rains, Edward Arnold, Guy Kibbee, Thomas Mitchell, Eugene Pallette, Beulah Bondi

"Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. Mr. Smith Goes to Washington was the director's final film for Columbia Pictures, the studio where he'd made his name in the 1930s with an enviable array of comedies and topical dramas. It also marked a turning point in Capra's vision of the world, from nervous optimism to a darker, more pessimistic tone. Beginning with American Madness in 1932, such Capra films as Lady for a Day, It Happened One Night, Mr. Deeds Goes to Town, and You Can't Take It With You had trumpeted their belief in the decency of the common man. In Mr. Smith Goes to Washington, however, the decent common man is surrounded by the most venal, petty, and thuggish group of yahoos ever to pass as decent society in a Capra movie. Everyone in the film - except for Jefferson Smith and his tiny cadre of believers - is either in the pay of the political machine run by Edward Arnold's James Taylor or complicit in Taylor's corruption through their silence, and they all sit by as innocent people, including children, are brutalized and intimidated, rights are violated, and the government is brought to a halt. The film's story of innocence and righteousness triumphant over corruption frames a chilling picture of an ineffectual and venal government fronting for gangsters. Coming at a time when the American public was growing weary (and wary) of the New Deal, then in its seventh year, it may have caught the public's mood just right. The world was indeed becoming a darker place - as the movie acknowledges by the presence of representatives of various European dictatorships in the Senate gallery as Smith's struggle on the Senate floor continues. The movie was so potent in its time that it cemented the image of James Stewart, then a good working dramatic actor who'd portrayed a range of roles, into the quintessential good-natured hero, the archetypal common man. That image made him a star, but also straightjacketed him to some degree. Stewart did some of his most interesting work in later years when he escaped from that image, as in Winchester '73, The Far Country, Rope, and Vertigo." - www.allmovie.com

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Destry rides again 1939 - Pure gold from the golden age

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IMDB rating: 7,7

Director: George Marshall
Main Cast: James Stewart, Marlene Dietrich, Mischa Auer, Charles Winninger, Brian Donlevy

"Destry Rides Again was a huge critical and box-office success in 1939, a year that had many critical and box-office successes and that is often considered to have produced more great films than any other year of the 20th century. Max Brand, the author of the source novel, is little remembered today, but in his era he was a prolific and popular writer who created such memorable screen successes as the Doctor Kildare series. Sadly, Brand was killed at the height of his career, while serving as a war correspondent in Italy during World War II. Brand's story was considerably changed for the screen, and as a result there are occasional inconsistencies of characterization for Destry, who sometimes seems a bit too inclined to fight for a pacifist. Yet, in Tom Destry, James Stewart creates one of the screen's most likable characters, and the film's success revived the career of Marlene Dietrich, who had been dumped from her studio contract by Paramount because of her temperamental behavior and perceived weak box-office appeal. The problem, though, proved to be not that audiences had tired of Dietrich but that they had tired of her in the melodramatic films that Paramount put her in. Free of Paramount, Dietrich found a broader range of work and once again became a bankable star." - www.allmovie.com

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You can't take it with you 1938 - A family of free spirits

IMDB link: http://www.imdb.com/title/tt0030993/
IMDB rating: 8,0

Director: Frank Capra
Main Cast: James Stewart, Jean Arthur, Lionel Barrymore, Edward Arnold, Mischa Auer, Ann Miller, Spring Byington

"Moss Hart and George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play You Can't Take It With You was transformed into a paean to populism by director Frank Capra and screenwriter Robert Riskin. The result is a joyful celebration of good-natured people and unconventional lifestyles. In some ways, it presages the 'do your own thing' philosophy of the 1960s, and it is easy to imagine free-spirited families of the '60s as creative descendants of Hart and Kaufman's Pulitzer Prize-winning characters. The cast features some of the finest comic actors of its era. While Lionel barrymore and James Stewart were equally adept at drama, the film also features fine performances from such humor specialists as Spring Byington, Dub Taylor, and Mischa Auer. Of special note is the presence of comic legend Eddie Anderson, who, with his supporting performance in Gone with the wind, became the first African-American actor to appear in more than one Oscar- winning Best Picture.
You can't take it with you earned several Academy Awards, including Best Picture and Best Director (Capra's third Oscar)." - http://www.allmovie.com/movie/you-cant-take-it-with-you-v55902

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