The red shoes 1948 - Influential musical tragedy

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IMDB rating: 8,3

Directors: Michael Powell, Emeric Pressburger
Main Cast: Moira Shearer, Anton Walbrook, Marius Goring, Ludmilla Tcherina

"Michael Powell and Emeric Pressburger's 1948 film The Red Shoes was, for nearly four decades, the most successful British movie ever released in America. Movies had used ballet as a subject before but the public had mostly ignored them. The Red Shoes, by contrast, seemed to draw audiences into its spell, virtually one theater at a time. In New York, it played to sell-out crowds at a single theater in Manhattan for almost two years before going into wide release, by which time word of the film had spread sufficiently to make it a hit throughout the country.
The movie had started life as a proposed screenplay, written by Pressburger for Merle Oberon before World War II, which never saw production - the intervening war and its aftermath led to a major change in its focus, from romantic melodrama to art. Powell and Pressburger sincerely believed that having spent four years dying in the name of freedom and liberty, the world was ready to see a movie that suggested it was now alright to die in the name of art. The public (outside of England, where critics panned the movie and it closed very quickly) responded in kind, in what was the first huge 'art-house' success in postwar cinema." - www.allmovie.com

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A matter of life and death 1946 - Very imaginative, deeply romantic fantasy-comedy

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IMDB rating: 8,1

Directors: Michael Powell, Emeric Pressburger
Main Cast: David Niven, Kim Hunter, Robert Coote, Kathleen Byron, Richard Attenborough

"A matter of life and death could easily be the most complex movie to come out of World War II. The film is a comedy that often leaves its viewers in tears; a romantic drama that makes audiences laugh; a literate movie with a multi-layered script that gives nods to Shakespeare and Schiller; yet, a film so dazzling in its visuals that it requires more than one viewing to absorb fully. Also known as Stairway to Heaven, the movie is a remarkable British fantasy film that became the surprise hit of 1946. David Niven stars as Peter Carter, a World War II RAF pilot who is forced to bail out of his crippled plane without a parachute. He wakes up to find he has landed on Earth utterly unharmed...which wasn't supposed to happen according to the rules of Heaven. A celestial court argues over whether or not to claim Carter's life or to let him survive to wed his American sweetheart (Kim Hunter). During an operation, in which Carter hovers between life and death, he dreams that his spirit is on trial, with God (Abraham Sofaer) as judge and Carter's recently deceased best friend (Roger Livesey) as defense counsel. The film tries to have it both ways by suggesting that the heavenly scenes are all a product of Carter's imagination, but the audience knows better. Among the curious but effective artistic choices in A Matter of Life and Death was the decision to film the earthbound scenes in Technicolor and the Heaven sequences in black-and-white. The film was a product of the adventuresome team known as 'The Archers': Michael Powell and Emeric Pressburger." - www.allmovie.com

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I know where I'm going 1945 - The simple joys of life after the war

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IMDB rating: 7,7

Directors: Michael Powell, Emeric Pressburger
Main Cast: Wendy Hiller, Roger Livesey, Finlay Currie

"While awaiting access to England's Technicolor cameras for their upcoming super-production Stairway to Heaven, the producer-director team of Michael Powell and Emeric Pressburger dashed off a delightful 'personal' project, I Know Where I'm Going. Young middle-class Englishwoman Joan Webster (Wendy Hiller) is determined to have the finer things in life, and to that end she plans to marry Sir Robert Bellinger (Norman Shelley), a wealthy, middle-aged industrialist whom she does not love. En route to the Island of Mull, where her future husband resides, Joan is stranded in a colorful Scottish seacoast town. Inclement weather keeps her grounded for a week, during which time she falls in love with young, insouciant naval officer Torquil McNeil (Roger Livesey). Ignoring the dictates of her heart (not to mention common sense), Joan stubbornly insists upon heading out to sea towards her marriage of convenience, but the exigencies of Mother Nature finally convince her that her future resides on the Mainland. A winner all the way, I Know Where I'm Going is full of large and small delights, including a wonderful sense of regional detail and endearing, three-dimensional characterizations (even the mercenary heroine is a likeable character). The film is easily one of the best of the Powell-Pressburger films of the 1940s, and arguably the team's all-time best romantic drama." - www.allmovie.com

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The life and death of Colonel Blimp 1943 - A British masterpiece from Powell & Pressburger

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IMDB rating: 8,1

Directors: Michael Powell, Emeric Pressburger
Main Cast: Roger Livesey, Deborah Kerr, Anton Walbrook, Roland Culver

"By today's standards, Michael Powell and Emeric Pressburger's The Life And Death of Colonel Blimp seems a brilliantly written and executed character study with period overtones - 'the British Citizen Kane', as one critic described it in recent years. But the 163-minute movie was one of the most controversial productions in England during the war, and the disputes over its content and distribution overshadowed the film's virtues for nearly 40 years. Powell and Pressburger, also known as 'The Archers', had already courted controversy in 1941 with their propaganda movie 49th Parallel. Blimp seemed as if it was designed to engender displeasure from the government: Anton Walbrook, who was the leader of the anti-Nazi Germans in 49th Parallel, plays an even more sympathetic expatriate German in this movie; the title character, who represents the epitome of the British officer class of the First World War, is depicted as a well-meaning but doddering old buffoon, incapable of dealing with the Nazi threat; and the hero, Clive Candy (brilliantly played by Roger Livesey), makes his name on a civilian escapade during the Boer War, just as Prime Minister Winston Churchill had. The movie seemed certain to attract official censure, and it did. Powell and Pressburger were denied the use of military equipment or personnel while Blimp was in production, and the government voiced its further strenuous objections to the parties financing the movie. Once it was completed and released, the film was denied an export license to the United States until almost two years after the war, by which time it had been shorn of nearly an hour of material. It took 40 years for the uncut version to reach America in its original Technicolor splendor. After the wait, audiences found a movie that seized upon many of the structural elements found in Orson Welles' Citizen Kane, with its back-to-front-to-back narrative path. The Archers took the class satire and social consciousness found in the best work of Noel Coward - as well as in the original David Low cartoon whence the Colonel Blimp character originated - and turned those elements into something uniquely theirs, a film very wry and dry in its tweaking of British sensibilities, universal in its observations on life, love and longevity in the middle of a world war." - www.allmovie.com

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