The front page 1931 - The first version of the Ben Hecht/Charles MacArthur Broadway hit

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IMDB rating: 7,0

Director: Lewis Milestone
Main Cast: Adolphe Menjou, Pat O'Brien, Mary Brian, Edward Everett Horton, Walter Catlett, George E. Stone, Mae Clarke

"The original screen version of Ben Hecht's and Charles MacArthur's 1928 Broadway hit remains perhaps the most faithful to its theatrical origins - although, as an inside joke, several character names were altered to reflect the change in medium, e.g. 'George Kid Cukor' and 'Judge Mankiewicz'. But Walter Burns (Adolphe Menjou) is still attempting to keep star reporter Hildy Johnson (Pat O'Brien) from leaving his place at the paper in favor of marrying the upwardly mobile Peggy Grant (Mary Brian). And poor Earl Williams (George E. Stone's), whose upcoming hanging drives the plot, is still more or less ignored while the tough reporters crack wise. The overlapping lines are much in evidence here and obviously not the invention of Howard Hawks, whose gender-switch remake His Girl Friday (1941) may be faster but not nearly as gritty. Menjou, who actually fits his bombastic role better than perhaps expected, was actually a last minute replacement when the original choice, Louis Wolheim, suddenly died. Menjou went on to win an Academy Award nomination for his efforts. Producer Howard Hughes drew mightily from the Warner Bros. stock company and every role, no matter how small, is filled with such notorious scene stealers as Edward Everett Horton as the prissy Bensinger; Clarence H. Wilson as the inane sheriff, and Mae Clarke as the self-sacrificing streetwalker Molly Malloy. In fact; Miss Clarke conveys the character's desperation skillfully. According to Mary Brian, The Front Page was this charming actress' favorite film." - www.allmovie.com

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Morning glory 1933 - Hepburn's wonderful Oscar-winning performance

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IMDB rating: 6,6

Director: Lowell Sherman
Main Cast: Katharine Hepburn, Douglas Fairbanks Jr., Adolphe Menjou, Mary Duncan, C. Aubrey Smith

"Katharine Hepburn won her first Oscar for her portrayal of Eva Lovelace, a small-town community-theatre actress who comes to New York dreaming of theatrical stardom. She amuses producer Adolphe Menjou and playwright Douglas Fairbanks Jr. with her naively pretentious prattle, but neither man takes her too seriously. Both, however are attracted to Eva: Menjou has a brief affair with her, but she yearns for the more reserved Fairbanks. Partly out of sympathy, Fairbanks arranges for Eva to understudy the troublesome star (Mary Duncan) of Menjou's latest production. When the star walks out on opening night, Eva goes on in her stead, and is universally hailed as a brilliant new find. Backstage after her triumph, Eva is warned not to let her sudden success go to her head lest she become a 'morning glory': a briefly spectacular 'bloomer' that withers and dies within a very short time. Proof of this warning is Eva's maid, a middle-aged woman who had also been an instant star years earlier. But Eva is too intoxicated by the thrill of realizing her life's dream; embracing her weeping maid, Eva declares to the world that she doesn't care if she is a morning glory. The film fades as Eva shouts defiantly 'I'm not afraid! I'm not afraid!' Adapted from a stage play by Zoe Akins, Morning Glory was remade in 1957 as Stage Struck, with Susan Strasberg as Eva Lovelace." - www.allmovie.com

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Stage door 1937 - A superb, realistic, behind-the-scenes film about show business

IMDB link: http://www.imdb.com/title/tt0029604/
IMDB rating: 7,8

Director: Gregory La Cava
Main Cast: Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Gail Patrick, Constance Collier, Andrea Leeds, Lucille Ball

"Stage door is notable for its predominantly female cast, predating George Cukor's The women by two years. Adapted from the Edna Ferber and George S. Kaufman stage hit, the sparkling dialogue comes at the audience rapid-fire as each stellar performer steps forward. The film shifts easily between comedy and drama, with Ginger Rogers in particular showcasing her versatility. Director Gregory La Cava successfully pulls together a strong-willed cast that includes Katharine Hepburn, Lucille Ball, Eve Arden and Ann Miller. He puts the boarding house setting to good use, keeping the interplay brisk and the story lines moving quickly. Ironically, the film's only Oscar nomination for acting went to the lesser-known Andrea Leeds, who, unlike her character in the movie, would later marry a rich man and retire from the screen. The film was also nominated for Best Picture, Best Director, and Best Screenplay." - http://www.allmovie.com/movie/stage-door-v46386/

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The milky way 1936 - A brilliant Harold Lloyd movie

IMDB link: http://www.imdb.com/title/tt0027969/?ref_=fn_al_tt_2
IMDB rating: 6,8

Director: Leo McCarey
Main Cast: Harold Lloyd, Adolphe Menjou, Verree Teasdale, Helen Mack, William Gargan

"One of the funniest, most sharply paced comedies of the 1930s, and perhaps the best of all of Harold Lloyd's talkies, The Milky Way was based on the Broadway play by Lynn Root and Harry Clork.
Directed by Leo McCarey and produced by and starring Harold Lloyd, The Milky Way is one of the most finely etched and precisely paced comedic romps ever to grace the screen, and a dazzling showcase not only for Lloyd, but also for the entire cast. Naturally, he is the star and the main spark plug for the film, but Veree Teasdale as Ann Westly, Gabby Sloan's smart, long-suffering fiancée, steals most of the scenes that she's in with a wisecracking gem of a performance, like Eve Arden with a sharper edge; Adolphe Menjou's Gabby Sloan is a manic whirlwind of neurotic tics and apoplexy-in-the-making; William Gargan and Lionel Stander as the middle-weight champion and his stooge make a boundlessly funny dumb-and-dumber duo (Stander was so good in the part of the stooge that he repeated it in the Danny Kaye remake The Kid From Brooklyn a decade later); finally, Helen Mack and Dorothy Wilson are refreshing and delightful as two young women who are smarter than most of the men around them and not afraid to show it. The screenplay, by Frank R. Butler, Richard Connell, and Grover Jones, is a marvel of verbal and physical humor in perfect balance, while McCarey pulls it all together seamlessly as a vehicle for Lloyd's eager-beaver, go-getter screen persona.
The Milky Way wasn't a huge success when it was originally released, but over the decades it has retained its comedic edge and its charm where many other celebrated comedies of the period have faded - and today, along with The Freshman, Safety Last, and Mad Wednesday, it's essential viewing for anyone who wants to appreciate Harold Lloyd's work, and for any fan of classic screen comedy." - http://www.allmovie.com/movie/the-milky-way-v32684/

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Gold diggers of 1935 - A visual masterpiece

IMDB link: http://www.imdb.com/title/tt0026421/?ref_=nv_sr_3
IMDB rating: 7,7

Director: Busby Berkeley
Main Cast: Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell

"Gold Diggers of 1935 features outstanding musical numbers and dazzling choreography from director Busby Berkeley, not to mention some amusing moments with future Titanic star Gloria Stuart. The plot, such as it is, takes place at a rich resort hotel where a lowly desk clerk (Dick Powell) falls in love with Stuart's character, the daughter of a rich snob (Alice Brady). As was common in Depression-era escapist movies, the wealthy elite are depicted as elegant but insensitive, and true love wins out for the happy ending. Winifred Shaw's rendition of 'Lullaby of Broadway' gives the film its highlight, though all of the production numbers are strong. Gold Diggers is a primary example of Berkeley's work, both as a choreographer and as a director. Of particular note in the tech credits are Anton Grot's production design and George Barnes's crisp cinematography." - http://www.allmovie.com/movie/gold-diggers-of-1935-v20141/

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Little Miss Marker 1934 - The winning presence of Shirley Temple

IMDB link: http://www.imdb.com/title/tt0025410/?ref_=nv_sr_2
IMDB rating: 7,0

Director: Alexander Hall
Main Cast: Adolphe Menjou, Shirley Temple, Dorothy Dell, Charles Bickford

"Little Miss Marker put the already popular Shirley Temple on the map in a big way. Whereas previous films had been mere excuses for Temple to strut her stuff, Marker was actually a very good film. True, it's sentimental, especially when seen through the eyes of modern audiences, and it doesn't shy away from being blatantly manipulative. Yet there's still something undeniably appealing about the basic story, and the filmmakers seem to be pulling the audience's strings almost innocently. Temple is in tip-top form here, and even those who are not fans should find plenty to enjoy. For one thing, Temple's not called upon to play 'cute' as much; she still comes off as cute, but the character is given some 'hard boiled' dialogue and attitude that dilutes some of the actress's standard cheeriness. She's also well served by her co-star, Adolphe Menjou, and the two play off of each other quite nicely, establishing a believable relationship that is crucial to the film's success. The script is also good, featuring some snappy dialogue and setting up its situations in a professional manner. Overall, Marker is a delightful treat." - http://www.allmovie.com/movie/little-miss-marker-v29569/

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