National Velvet 1944 - A wonderful classic for the whole family

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IMDB rating: 7,4

Director: Clarence Brown
Main Cast: Mickey Rooney, Elizabeth Taylor, Donald Crisp, Anne Revere, Angela Lansbury

"One of the most beloved children's classics ever filmed, National Velvet holds up almost as well today as it did in 1944. True, modern audiences are much more familiar with elements of the story now, and they may find a bit of the plotting somewhat farfetched; but most audiences will be caught up in the sheer excitement and good will of Velvet that they will gladly overlook any shortcomings. There's so much to praise in Velvet that it's hard to know where to begin - or would be, if it weren't for the fact that the climactic event remains the best horse racing sequence ever put on film. It's gripping, spine tingling and just plain fun, a sequence that will have viewers on the edge of their seats and ready to stand and cheer. Credit for this spectacular segment is due equally to director Clarence Brown, cinematographer Leonard Smith, editor Robert J. Kern and composer Herbert Stothart, all of whom work together seamlessly. Brown's work throughout is nearly flawless, drawing forth sterling performances from his cast, capturing every highlight of the screenplay and telling the story with keen attention to pacing and cinematic detail. Elizabeth Taylor is sheer magic as Velvet, Mickey Rooney gives a wonderful, understated performance, Angela Lansbury is lovely and Anne Revere makes the absolute most of every moment, winning a Best Supporting Actress Oscar for her performance. Then there's Pi, one of the most beautiful creatures ever put on the screen, a force of nature that is irresistible. Velvet is a dream of a movie - one from which you won't want to awaken. National Velvet is based on the novel by Enid Bagnold. " - www.allmovie.com

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Henry V. 1944 - An inspiring classic for later Shakespeare adaptations

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IMDB rating: 7,4

Director: Laurence Olivier
Main Cast: Lairence Olivier, Robert Newton, Leslie Banks, Robert Helpmann

"Laurence Olivier's adaptation of Henry V is one of the finest Shakespeare films ever made, full of rousing action, beautiful colors, and passionate performances. In contrast to previous Shakespeare adaptations, it was fresh and lively - even challenging and daring - in its presentation and structure; it had fun with its subject, while other versions had been reverent and respectful; and it delighted audiences, scholars, and critics alike, becoming the first screen adaptation of a Shakespeare play to receive mostly enthusiastic reviews and turn a profit. Olivier made his movie in the middle of World War II, convincing the British government of the morale-boosting potential and propaganda uses of a good adaptation of the original play, about an English invasion of France in the 15th century; he then took off for the neutral wide-open spaces of Ireland with the best cast he could assemble from actors too old to be in uniform, a handful of actors borrowed from the armed services, highly sought-after Technicolor cameras, and a script that kept intact the core of Shakespeare's play. The movie earned him a special Academy Award. Equally important in broader historical terms, Henry V paved the way for all other Shakespeare films, from Olivier's versions of Hamlet, Richard III, and Othello through to Kenneth Branagh's more contemporary adaptations." - www.allmovie.com

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Meet me in St. Louis 1944 - Sweet nostalgia for an idealized America

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IMDB rating: 7,7

Director: Vincente Minnelli
Main Cast: Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Leon Ames, Tom Drake, Marjorie Main, Harry Davenport, June Lockhart

"Sally Benson's short stories about the turn-of-the-century Smith family of St. Louis were tackled by a battalion of MGM screenwriters, who hoped to find a throughline to connect the anecdotal tales. The highlight of the film is Judy Garland's singing 'Have Yourself a Merry Little Christmas'. Meet Me in St. Louis was the first team-up for Garland and director Vincente Minnelli, whose talent for handling complex set pieces works well in this film, as does the lively Technicolor cinematography of George Folsey. At least some of the credit should go to songwriter turned producer Arthur Freed for his excellent work in bringing together the proper talent. Margaret O'Brien won a special Oscar for her remarkable performance. The songs are a heady combination of period tunes and newly minted numbers by Ralph Blane and Hugh Martin, the best of which are The Boy Next Door, The Trolley Song and the above-mentioned Have Yourself a Merry Little Christmas." - www.allmovie.com

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Gaslight 1944 - A chilling psychological thriller

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IMDB rating: 7,9

Director: George Cukor
Main Cast: Charles Boyer, Ingrid Bergman, Joseph Cotten, Dame May Whitty, Angela Lansbury

"With three very talented stars (Ingrid Bergman, Charles Boyer and Joseph Cotten) at the peak of their popularity, 1944's Gaslight is another wonderful, must-see addition to the Cukor filmography. It is a multi-leveled, ceaselessly entertaining film that stands the test of time. Based on Patrick Hamilton's play Angel Street, the script plumbs such ripe topics as manipulation, compulsion, madness and marital relations. Bergman deservedly won an Academy Award for her role as the 'insane' wife who trusts her husband, even if it means she may be going insane; she holds the story together with one of her most impressive performances. It's a difficult character to make believable, but the actress brings such a tethered vulnerability to the part that it gives the film an air of truth and sadness. Gaslight was nominated for seven Oscars - including one for Angela Lansbury's first film role - but Bergman's was the only victory." - www.allmovie.com

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The miracle of Morgan's creek 1944 - One of the best comedies of all time

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IMDB rating: 8,0

Director: Preston Sturges
Main Cast: Eddie Bracken, Betty Hutton, Diana Lynn, William Demarest, Brian Donlevy, Akim Tamiroff

"In 1944, with the restrictive Hays Code very much in effect, the mere fact that Preston Sturges was allowed to make The Miracle of Morgan's Creek was remarkable in itself. After all, a comedy about a girl who gets drunk at a party with a bunch of soldiers and wakes up the next morning hung over and pregnant, with no memory of who the guilty party might be (except that his name sounded like 'Ratzywatzy'), hardly conformed to Hollywood's ideal of womanly virtue. But while the film's audacious content was out of the ordinary in its day, its lasting importance comes from the fact that it's a very, very funny movie. Sturges' superb ear for dialogue is in evidence throughout, as is his knack for bringing out the best in his cast: Betty Hutton gives the best and funniest performance of her career, while Eddie Bracken's work is rivaled only by his turn in Sturges' other 1944 masterpiece, Hail the Conquering Hero. If the premise seemed daring, Sturges gleefully heaped absurdity after absurdity upon it, to the point where even Norval and Trudy are barely able to keep track of their own hare-brained scheme to retain Trudy's good name (as well as that of Mr. Ratzywatzy, wherever he is). While the movie can be accused of playing Trudy's unwed pregnancy for laughs, she certainly seems painfully aware of the gravity of her situation, no matter how funny the circumstances it puts her through. And the scene between Trudy and Norval shortly after she's given birth is sweet and unexpectedly moving, as, after a genial assault on propriety, we're reminded in all sincerity of the simple power of love between two people. In Sturges' best movies, people do ridiculous things but somehow land on their feet; his characters rarely fell farther, or landed with more unexpected aplomb, than in The Miracle of Morgan's Creek." - www.allmovie.com

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To have and have not 1944 - A classic war time action-romance in the shadows of Casablanca

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IMDB rating: 8,0

Director: Howard Hawks
Main Cast: Humphrey Bogart, Lauren Bacall, Walter Brennan, Dolores Moran, Hoagy Carmichael

"A masterful blend of comedy, romance, and action, Howard Hawks' To Have and Have Not is filled with the director's signature situations and relationships. The characters could have been lifted from any one of a number of Hawks films: a strong, stoic hero (Humphrey Bogart), a clueless sidekick (Hawks regular Walter Brennan), and a bold, sexually-charged heroine (Lauren Bacall, in her screen debut). A few scenes even recur in the director's other films, such as the classic, post-kiss line, 'It's even better when you help'. Jules Furthman and William Faulkner loosely adapted the screenplay from an Ernest Hemingway novel; though the setting of To Have is the Caribbean, the characters and Bogart's unselfish transformation is clearly reminiscent of 1942's Casablanca. Hawks would exploit the tremendous chemistry between Bogart and Bacall again in his next film, 1946's The Big Sleep.
The film's enduring popularity is primarily - if not solely - due to the sexy chemistry between Bogart and Bacall, especially in the legendary 'You know how to whistle, don't you?' scene. The most salutary result of To Have & Have Not was the subsequent Bogart-Bacall marriage, which endured until his death in 1957. For the record, a more faithful-to-the-source cinemadaptation of the Hemingway original was filmed in 1950 as The Breaking Point." - www.allmovie.com

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Laura 1944 - An elegantly crafted classic film noir

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IMDB rating: 8,2

Director: Otto Preminger
Main Cast: Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson

"This adaptation of Vera Caspary's suspense novel was begun by director Rouben Mamoulien and cinematographer Lucien Ballard, but thanks to a complex series of backstage intrigues and hostilities, the film was ultimately credited to director Otto Preminger and cameraman Joseph LaShelle. Preminger's low-key approach to a story of lethal obsession allows the suggestions of sexual deviance emanating from Clifton Webb's epicene critic Lydecker, Dana Andrews's cynical yet besotted necrophiliac cop, and the pragmatic Vincent Price-Judith Anderson couple to permeate the seductively cool atmosphere. David Raksin's famously bewitching theme invokes titular mysterious beauty Gene Tierney, but it is questionable if the real woman can measure up to the power of portraiture and Lydecker's memory. 'Proper' love may triumph but it is a compromised victory. One of the most popular suspense films of the 1940s, Laura earned Oscar nominations for Best Director, Supporting Actor for Webb, Interior (now Art) Direction, and the sharp screenplay, winning the prize for Joseph LaShelle's black and white cinematography. Released the same year as Billy Wilder's caustic noir Double Indemnity, Laura was another intimation of the wave of cinematic darkness that would crest post-World War II." - www.allmovie.com

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