Body and soul 1947 - One of the greatest boxing movies of all time

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IMDB rating: 7,8

Director: Robert Rossen
Main Cast: John Garfield, Lilli Palmer, Hazel Brooks, Anne Revere, William Conrad

"This riveting 1947 drama, regarded by many as the greatest boxing movie of all time, centers on a former pugilist who looks back on his life in and out of the ring and realizes that self-respect is a more important prize than winning. John Garfield is Charlie Davis, a former boxing champion who began fighting in order to save himself and his mother from poverty after his father was killed in a mob-related bombing. William Conrad plays Quinn, a veteran boxer-turned-trainer who discovers that Davis has the potential to be a professional fighter. Eager to take on all contenders, Davis eventually defeats the world champion, but winning has cost him more than he bargained for. He falls in with the mob and takes to a life of easy women and plentiful booze, winning easy bouts with second-rate opponents. In the end, Davis realizes the error of his ways - but is it too late? With all the odds against him, and knowing that the fight has already been fixed, Davis is forced to make the choice between what's expected of him and what he expects of himself.
 Body and Soul benefits from a riveting screenplay by Abraham Polonsky, intense editing from Francis D. Lyon and Robert Parrish, and innovative cinematography by the legendary James Wong Howe. Tying all of these elements together is director Robert Rossen, who coaxes a superb performance from John Garfield as the troubled boxer Charlie Davis. Rossen would explore similar themes of redemption in sports and gambling in 1961's The Hustler. Howe's tight shot composition would influence similar classics over the years, most notably Martin Scorsese's Raging Bull." - www.allmovie.com

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National Velvet 1944 - A wonderful classic for the whole family

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IMDB rating: 7,4

Director: Clarence Brown
Main Cast: Mickey Rooney, Elizabeth Taylor, Donald Crisp, Anne Revere, Angela Lansbury

"One of the most beloved children's classics ever filmed, National Velvet holds up almost as well today as it did in 1944. True, modern audiences are much more familiar with elements of the story now, and they may find a bit of the plotting somewhat farfetched; but most audiences will be caught up in the sheer excitement and good will of Velvet that they will gladly overlook any shortcomings. There's so much to praise in Velvet that it's hard to know where to begin - or would be, if it weren't for the fact that the climactic event remains the best horse racing sequence ever put on film. It's gripping, spine tingling and just plain fun, a sequence that will have viewers on the edge of their seats and ready to stand and cheer. Credit for this spectacular segment is due equally to director Clarence Brown, cinematographer Leonard Smith, editor Robert J. Kern and composer Herbert Stothart, all of whom work together seamlessly. Brown's work throughout is nearly flawless, drawing forth sterling performances from his cast, capturing every highlight of the screenplay and telling the story with keen attention to pacing and cinematic detail. Elizabeth Taylor is sheer magic as Velvet, Mickey Rooney gives a wonderful, understated performance, Angela Lansbury is lovely and Anne Revere makes the absolute most of every moment, winning a Best Supporting Actress Oscar for her performance. Then there's Pi, one of the most beautiful creatures ever put on the screen, a force of nature that is irresistible. Velvet is a dream of a movie - one from which you won't want to awaken. National Velvet is based on the novel by Enid Bagnold. " - www.allmovie.com

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Sporting blood 1931 - Gable in his first top billed role

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IMDB rating: 6,2

Director: Charles J. Brabin
Main Cast: Clark Gable, Madge Evans, Ernest Torrence, Lew Cody, Marie Prevost

"Clark Gable went from supporting actor to star in the space of one year with Sporting Blood, adapted from a novel by Frederick Hazlitt Brennan. Gable is top-billed as a gambling house proprietor named Rid Riddell. When the owner of a prize thoroughbred loses heavily in Riddell's establishment, he is forced to give up the horse to the gambler as security. Rid enters the horse in several honest races, then pulls the animal during a crucial race in order to collect big money on the losses; then he plans to dope up the horse to assure future wins. But when the horse loses, the gambler, deeply in debt to mobsters, transfers ownership to one of his female dealers (Madge Evans), and then drops out of the plotline.
This film is a classic example of the old studio system at work. Both Madge Evans, and Clark Gable, were brand new at MGM. The studio bosses weren't at all sure how well either star would fare with the public. In fact, there is a sense of freshness about this film. It hasn't the ordinary Hollywood veneer to it. It makes no pretensions and avoids clichés typical of so many similar films of the 1930s. Evans and Gable are absolutely marvelous in their respective roles. Gable isn't really the lead in Sporting Blood - actually he's something of a rat - but he's the one whom everybody in the audience remembers long after the final fadeout." - www.allmovie.com

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