IMDB Link
IMDB rating: 8,0
Director: George Cukor
Main Cast: Norma Shearer, Joan Crawford, Rosalind Russell, Mary Boland, Paulette Goddard, Joan Fontaine
"Based on the Clare Booth Luce play of the same name, this MGM comedy is famous for its all-female cast and deft direction by George Cukor. The themes explored in Clare Boothe Luce's play were so modern in 1939 that audiences found the film audaciously relevant, yet so timeless and universal that The Women could be successfully revived on Broadway in 2001, starring Jennifer Tilly, Kristen Johnston, and Cynthia Nixon. The film crackles with a sharp-toothed sarcasm even on a modern viewing. George Cukor's deft pacing and evident facility with actors (or, we should say, actresses) make The Women both a scathing and hilarious indictment of the institution of marriage. No less important, in fact probably more so, is the film's portrayal of the women's mercenary competitiveness. The ruthlessly casual deceptions they practice on each other are authenticated by the playwright's gender, as well as that of her adapters (Anita Loos and Jane Murfin). The Women recasts the discourse of high society as an exercise in the Darwinism of the animal kingdom, starting with an opening credits sequence that assigns an animal role to each character, from sly fox to gentle lamb. The opening shot says it all, as two dogs aggressively (and metaphorically) yap at each other as their pampered owners restrain them, all against a cacophony of background gossip. The women's ironic commentary on the regimen of exercise and beautification they must maintain to keep their men takes over from here, as does the rapid repartees and the almost incidental backstabbing. Casting the film entirely with women works beautifully, never straining the logic or staging, and the handful of leads each share the credit with Luce and Cukor for a fully realized farce on the warfare of feminine politics and societal advantage.
Snappy, witty dialogue, much of it courtesy of veteran screenwriter Anita Loos, helps send this film's humor over the top. So do the characterizations - Crawford is as venomous as they come, and this was Russell's first chance to show what she could do as a comedienne. And don't discount Shearer - her portrayal of good-girl Mary is never overpowered by these two far-flashier roles. Do keep an eye on the supporting players, though, especially Mary Boland as the Countess DeLage. The role was based on a cafe society dame of that era, the Countess DiFrasso, who had a wild affair with Gary Cooper; that romance is satirized here." - www.allmovie.com
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