The letter 1940 - Bette Davis in one of her nastiest roles

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IMDB rating: 7,8

Director: William Wyler
Main Cast: Bette Davis, Herbert Marshall, James Stephenson, Gale Sondergaard, Cecil Kellaway

"The Letter combines William Wyler's smooth direction and a fine performance from Bette Davis into one of the screen's best melodramas. The film is distinguished by its lush production values, including Tony Gaudio's cinematography and costume gowns by Orry-Kelly, but mostly it is Davis who carries the film. She is ably assisted by her co-stars, particularly Herbert Marshall as her husband and James Stephenson as her lawyer. W. Somerset Maugham's source novel provides a strong framework, which had been filmed before in 1929, with Marshall as the murdered lover. Although the Wyler version scored an impressive seven Oscar nominations, it went home empty-handed." - www.allmovie.com

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Of human bondage 1934 - A tragic tale of love and rejection

IMDB link: http://www.imdb.com/title/tt0025586/?ref_=nv_sr_1
IMDB ratings: 7,3

Director: John Cromwell
Main Cast: Bette Davis, Leslie Howard, Frances Dee, Reginald Denny

"Based upon the W. Somerset Maugham's novel of the same name, this is one of the most acclaimed dramas of its period, the RKO-produced film put Bette Davis on the map and also added to Leslie Howard's formidable reputation. When Warner Bros. made its version of the story in 1946, however, the studio is reputed to have ordered the destruction of the original master elements of the RKO version; ironically, neither that remake, nor a later 1964 version came up to the standard achieved by the director or cast in the original, dramatically or cinematically.
As to this version, it flows better dramatically than just about any dramatic film of its era, the director moving us effortlessly into the tormented psyche of Leslie Howard's Philip Carey, a sensitive and highly cerebral medical student who is all-but-destroyed by his obsession with the slutty waitress Mildred (Bette Davis) - the camera conducts us through what amount to internal visual dialogues within Carey, without ever breaking the forward momentum of the plot or the rhythm and intensity of the performances; it does drag a bit in the middle, but overall Cromwell's use of close-ups, dissolves, montage, and sound edits was about as good as movies got in 1934, and it all holds up remarkably well 60 years later - certainly better than either of the later versions. By contrast, Davis' performance now seems mostly rooted in her mannerisms and Cockney accent, though she does undergo a hideous physical transformation in the course of the story, and when viewed in the context of the movie and the era, definitely represented a minor milestone in her career.
The industry buzz in 1934 indicated that Bette Davis was a shoe-in for an Academy Award for her savage portrayal of Mildred, but her home studio Warner Bros. failed to mount an adequate publicity campaign on Davis' behalf, allegedly because she'd made the film on loan-out to RKO and Warners wasn't about to heap praise upon a rival. It is now generally conceded that Davis' Oscar win for 1935's Dangerous was consolation for her losing the statuette in 1934." - http://www.allmovie.com/movie/of-human-bondage-v35970

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Rain 1932 - Joan Crawford as Miss Sadie Thompson

IMDB link: http://www.imdb.com/title/tt0023369/
IMDB rating: 6,9

Director: Lewis Milestone
Main Cast: Joan Crawford, Walter Huston, William Gargan, Guy Kibbee

"The pleasures of the flesh confront the discipline of the Lord's teachings in this screen adaptation of W. Somerset Maugham's story Miss Sadie Thompson. This is the first sound film adaptation of the play, where young MGM 'flapper' star Joan Crawford's turn as Miss Sadie Thompson revealed that she could play more than just a spirited modern girl. As the South Seas prostitute reformed and then violated by Walter Huston's fire-and-brimstone preacher, Crawford matches Huston's intensity and reveals the depth of emotions behind Sadie's slatternly, free-wheeling façade. The lush, nocturnal tropical setting with its copious precipitation and Polynesian drum music enhances the sensuality of the conflict between spirit and carnality, while director Lewis Milestone's mobile camera and telling visual touches (like Sadie's choice of shoes) offset the potential staginess of a theatrical adaptation. A flop in 1932, Rain has since recovered its artistic reputation, particularly for Crawford's then-shocking 'realism' as Sadie. The play was first adapted as Sadie Thompson in 1928 with Gloria Swanson, then re-made again in 1953 as Miss Sadie Thompson with Rita Hayworth." - http://www.allmovie.com/movie/rain-v40130

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https://archive.org/download/LewisMilestonesRain1932/Rainvo_512kb.mp4

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