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Showing posts with label frank borzage. Show all posts
Showing posts with label frank borzage. Show all posts

Sunday, April 29, 2012

Secrets 1933 - The last film of America's Sweetheart


IMDB Link
IMDB rating: 7,7


Director: Frank Borzage
Main Cast: Mary Pickford, Leslie Howard, C. Aubrey Smith, Blanche Friderici, Doris Lloyd, Ned Sparks



"Silent screen legend Mary Pickford makes her final movie appearance in Secrets, adapted from the play by Rudolph Besier and Mary Edgerton. Secrets is a curious misfire, meaning that it doesn't really work as a film but has more than enough interesting things about it to make it worth watching. For one thing, it's Mary Pickford's last film and one of the few talkies that the vibrant silent star made. Pickford never really made the transition from silent to sound, although a number of her talking pictures were popular. She was capable of being a fine talkie actress; the talent was clearly there, but she needed to put a great deal of effort into re-learning how to act in front of a camera with a microphone, and she apparently didn't want to do so. As a result, some of her scenes come across as stilted or disjointed; others, however, are magical and demonstrate what could have been. Indeed, her scene following the death of her child is pure gold. Leslie Howard was more at ease with dialogue, and his performance is a big help to Secrets, but there's also a problem here: Howard is very convincing as the lover, not quite as convincing as a rough Western hero type. Frank Borzage works some magic of his own in his direction; despite some credibility problems in the script, Borzage directs as if he believes in every wild moment, every truth-stretching bit turn of events." - www.allmovie.com

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Tuesday, March 20, 2012

Bad girl 1931 - Rare Oscar winner is a forgotten treat


IMDB link: http://www.imdb.com/title/tt0021635/?ref_=fn_al_tt_1
IMDB rating: 6,7


Director: Frank Borzage
Main Cast: Sally Eilers, James Dunn, Minna Gombell



"Modern audiences will likely be amazed to learn that Bad Girl (Based on a novel by Vina Delmar) was nominated for a Best Picture Oscar (and won Oscars for its screenplay and direction). Terribly dated, Bad Girl is not a bad film, but it hardly seems worthy of such honors. Edwin H. Burke's screenplay is overly familiar in many places, but it does attempt to tell a fairly realistic story of two poor people struggling through the challenges of the Great Depression. There's some nice, tasty dialogue served up along the way, peppered with plenty of Depression-era slang, but these alternate with patches of stilted, unconvincing dialogue. Burke also can't keep his hands off a few contrived and jarring plot twists. Frank Borzage's direction is considerably better. This is the kind of "love conquers all" material that was Borzage's meat, and very few directors had such an affinity for romance and could put it on the screen in such a heartfelt manner. Yet it's still not Borzage's best work, surprisingly stiff in a few places and not as cohesively packaged as might have been expected. The acting is generally good, with Sally Eilers and James Dunn affecting and quite realistic. While not one of the great tearjerkers, Bad Girl is worth catching for fans of the genre and for fans of the director." - http://www.allmovie.com/movie/bad-girl-v68588/

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Monday, November 14, 2011

Man's castle 1933 - An unsentimental, romantic Depression-era drama


IMDB link: http://www.imdb.com/title/tt0024302/
IMDB rating: 7,4


Director: Frank Borzage
Main Cast: Spencer Tracy, Loretta Young, Marjorie Rambeau, Glenda Farrell, Walter Connolly



"Man's Castle could easily be a candidate for the best movie released by Columbia Pictures during the first half of the 1930's - and ranks right alongside the best work of Frank Capra, who was usually regarded as the studio's ace-in-the-hole. And, ironically, it's a film whose key players  director Frank Borzage, and stars Spencer Tracy and Loretta Young - were never closely associated with Columbia. And courtesy of Joseph August's cinematography, it's certainly the best-looking picture to come out of the studio during this period, yet it isn't lacking for grit, or a verisimilitude of poverty and life on the skids, or an array of rich and fascinating characters and players, of whom the two lead performances are only some of the fine elements to be discovered. Borzage has pulled off one of his frequent conjuring tricks, mixing honest, raw emotion, all on the surface and in your face, with a comparatively subdued sentimentality and belief in romance, and pulled it all together through the performances of Tracy and Young. There are moments where the uncertainty that afflicted Spencer Tracy's career during this period get close to the surface - in the early part of the picture, he's pushed a little close to James Cagney territory, whereas later on, it seems as though he's aiming for Wallace Beery, but he never quite falls into an identifiable groove, and in the end comes out as . . . Spencer Tracy. The big surprise in this picture is Loretta Young - her early work, which is hardly seen enough, shows an actress of surprising depth and the ability to reach audiences with small nuances and understated approaches to a role; all of this will amaze viewers who only know her later, rather over-the-top and self-conscious performances, which usually don't wear well. And to top it off, we also get highly workwhile supporting performances from Marjorie Rambeau, Arthur Hohl (in a surprisingly subtle villain turn), Glenda Farrell, and Walter Connolly. A Man's Castle is full of surprises, in terms of its look, and its plot, and characterizations, but Young's work may be the biggest of a brace of revelations, all of them rewarding and well worth tracking down.
Dealing with tough material in an adult manner, Man's Castle was considered quite daring in its day. A year after its release, Hollywood adopted the Production Code that prohibited the depiction of unwed cohabitation and premarital pregnancy (among many other things), which would have made this a very different film." - http://www.allmovie.com/movie/a-mans-castle-v101472

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Sunday, November 6, 2011

A farewell to arms 1932 - The first film version of Hemingway's novel


IMDB link: http://www.imdb.com/title/tt0022879/
IMDB rating: 6,6


Director: Frank Borzage
Main Cast: Gary Cooper, Helen Hayes, Adolphe Menjou



"Although the ending was altered, this A Farewell to Arms is one of the best cinematic adaptations of an Ernest Hemingway work. True, the film doesn't quite capture the unique Hemingway voice and style, but it does have some of his flavor; more importantly, it translates the story into "Hollywood" terms that make it more cinematically appealing. If the film lacks the depth of the novel, it still packs an emotional wallop. Certainly a great deal of the credit must go to stars Helen Hayes and Gary Cooper, who make an odd physical pair but who have a genuine, affecting chemistry. Hayes is radiant in one of her finest screen performances, playing suffering, nobility, and heartbreak in an outsized style that still rings true. Cooper was a Hemingway friend in real life, and later played the hero of Hemingway's For Whom the Bell Tolls; his boyish simplicity is just right for director Frank Borzage's heartfelt approach and he utilizes his considerable charm to good effect, helped by his truly impressive good looks; while he's not as comfortable as Hayes with some of the heightened emotion, he still pulls it off. Director Frank Borzage skillfully blends the romance with the war-themed story, creating both impressive battle vistas and intimate, softly lit duets -- all with the inestimable help of cinematographer Charles B. Lang. The Oscar-winning cinematography is the kind of lush black and white that can capture the glow from a cigarette as it plays across Cooper's darkened face--a breathtaking touch. The jaded battle scenes show the influence of the hit film version of All Quiet on the Western Front, especially in a gripping montage depicting Cooper's progress alone through the war zone.
This is first and foremost a love story, however, and as such it succeeds beautifully, right through to the remarkably intense ending.
Modern audiences will undoubtedly find portions of the film (and its style) dated and over the top, but those willing to meet it on its own terms will be rewarded." - http://www.allmovie.com/movie/a-farewell-to-arms-v16801

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