Blessed event 1932 - Lee Tracy as a lost joy of the pre-code era

IMDB Link
IMDB rating: 7,2

Director: Roy Del Ruth
Main Cast: Lee Tracy, Mary Brian, Dick Powell, Allen Jenkins, Ruth Donnelly

"Blessed Event is one of several early-1930s films inspired by the meteoric rise to fame of gossip columnist Walter Winchell - and like most such films, its title is based on a Winchell tag line.
Lee Tracy plays a glib-tongued reporter who is conducting a feud with popular singer Dick Powell (making his film debut). Along the way, Tracy offends a powerful gangster, and in so doing becomes entangled with chorus girl Mary Brian.
The original Broadway stage version of Blessed Event was written by Manuel Seff and Forrest Wilson--and reportedly inspired by the career of Ruby Keeler, who rose to stardom thanks in part to the patronage of a New York mobster.
There never was anyone quite like Lee Tracy, the machine gun-mouthed character actor who managed a brief starring career in pre-Code movies, of which Blessed Event arguably gives Tracy the chance to shine in all his diamond hard glory. Tracy was an odd choice for stardom, a guy who wasn't blessed with male model looks and who had a persona that was perfect for self-centered egoists who don't mind a little love but only if it doesn't get in the way of old number one. It's the kind of character that can be repulsive, but Tracy's total self-absorption and, equally important, his incredible timing and precise delivery of a one-liner make him somehow appealing. He's a force of nature, and one that won't be denied; moreover, he's a peculiarly American one, taking the concept of individualism to an extreme. Tracy also is someone who requires an amoral atmosphere in which to thrive. After the Production Code really came in, the kind of stories, situations and characters that could best contain him lost their power. But Blessed has none of these worries, blithely dealing with unwanted pregnancies, homosexuality and other subjects soon to be forbidden, and allowing the audience to cheer on a go-getter who tramples anyone in the way of getting what he wants. Tracy is perfectly complemented by Roy Del Ruth's rapid-fire direction and by a script that gives him plenty to get his mouth around; his electric chair monologue is really astounding." - www.allmovie.com

DVD links:

On the Avenue 1937 - Excellent musical with memorable Irving Berlin tunes

IMDB link: http://www.imdb.com/title/tt0029345/?ref_=fn_al_tt_1
IMDB rating: 6,9

Director: Roy Del Ruth
Main Cast: Dick Powell, Madeleine Carroll, Alice Faye, The Ritz Brothers, Cora Witherspoon, Joan Davis

"One of the more enjoyable backstage musicals of the 1930s, On the Avenue is different from many others in the genre in that it's concerned with a show that has already opened, rather than one that is steaming ahead toward opening night. Avenue also benefits from a script in which the pieces all fall into place naturally; the plot has its holes, but the film has such an amiable feeling that the viewer is willing to overlook them. While the dialogue is not in a class by itself, it has a certain combination of whimsy and winsomeness to it that is quite appealing. Of greater importance, Avenue boasts a first-class Irving Berlin score that includes the infectious 'I've Got My Love to Keep Me Warm', the slightly melancholy 'This Year's Kisses', and the beguiling 'You're Laughing at Me'. Avenue is also helped by its solid cast, with Dick Powell providing a smooth sound in the songs and an easy charm in his scenes and Madeleine Carroll creating an imperious rich girl that still manages to win the viewer's heart. Alice Faye is in top-notch form, pouring her creamy tones into her singing and imbuing her character with a combination of vulnerability and sauciness that's quite touching. The Ritz Brothers are given too much screen time for their own good, as is the cringe-inducing Stepin Fetchit, but Cora Witherspoon's breeziness helps to compensate for them. Smoothly directed by Roy Del Ruth, Avenue is a pleasant stroll for musical fans." - http://www.allmovie.com/movie/on-the-avenue-v104700/

DVD links:

A Midsummer Night's dream 1935 - A quite satisfying Shakespearean adaptation

IMDB link: http://www.imdb.com/title/tt0026714/?ref_=fn_al_tt_2
IMDB rating: 7,1

Directors: William Dieterle, Max Reinhardt
Main Cast: Dick Powell, Ross Alexander, Olivia de Havilland, Jean Muir, Verree Teasdale, James Cagney, Joe E. Brown, Anita Louise

"Max Reinhardt's legendary Hollywood Bowl production of Shakespeare's A Midsummer Night's Dream was transferred to the screen by Warner Bros. in 1935. Like most of Shakespeare's comedies, the story contains several seemingly unrelated plotlines, all tied together by a single unifying event, in this instance the impending wedding of Theseus and Hippolyta. Although it is not without flaws, the 1935 version of A Midsummer Night's Dream is by and large a delight. Given the casting, it's inevitable that there would be some grumblings with this Dream; for one thing, there's an awful lot of Hollywood in here and very little English. But, surprisingly, some of those Hollywood names turn in exceptional performances. Top of the list is the thoroughly delightful James Cagney as Bottom, leader of the mechanicals. His enthusiastic, audacious, ultimately captivating turn brings abundant life to the film and makes one forget that, really, this man shouldn't be so at home with Shakespeare. As one of Cagney's cronies, Joe E. Brown is also a surprising pleasure, making up for the misfire of fellow mechanical Hugh Herbert. An extraordinarily young Olivia de Havilland is fetching and entirely winning as Hermia, and Victor Jory is just about perfect as Oberon. On the down side, there's Dick Powell, entirely out of his depth as Lysander. Most controversial is the Puck of Mickey Rooney, which some find charming and appealing and others find busy and annoying; suffice it to say that while he admirably captures the feeling of youthful and irreverent mischief that is at the heart of the character, he does so in a manner that is often forced. Although the direction is a tad uneven, the art direction and special effects (especially the nocturnal dance of the fairies) are breathtakingly beautiful. Mendelssohn's 'Midsummer Night's Dream' incidental music is masterfully orchestrated by Erich Wolfgang Korngold, while the cinematography by Hal Mohr earned the first write-in Academy Award in Hollywood history (Mohr had not been nominated due to hostilities arising from a recent industry strike). Considered a brave failure at the time of its first release, on a purely visual level A Midsummer Night's Dream is one of the more satisfying Shakespearean cinemadaptations of Hollywood's golden age." - http://www.allmovie.com/movie/a-midsummer-nights-dream-v32585/

Download links:

Gold diggers of 1935 - A visual masterpiece

IMDB link: http://www.imdb.com/title/tt0026421/?ref_=nv_sr_3
IMDB rating: 7,7

Director: Busby Berkeley
Main Cast: Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell

"Gold Diggers of 1935 features outstanding musical numbers and dazzling choreography from director Busby Berkeley, not to mention some amusing moments with future Titanic star Gloria Stuart. The plot, such as it is, takes place at a rich resort hotel where a lowly desk clerk (Dick Powell) falls in love with Stuart's character, the daughter of a rich snob (Alice Brady). As was common in Depression-era escapist movies, the wealthy elite are depicted as elegant but insensitive, and true love wins out for the happy ending. Winifred Shaw's rendition of 'Lullaby of Broadway' gives the film its highlight, though all of the production numbers are strong. Gold Diggers is a primary example of Berkeley's work, both as a choreographer and as a director. Of particular note in the tech credits are Anton Grot's production design and George Barnes's crisp cinematography." - http://www.allmovie.com/movie/gold-diggers-of-1935-v20141/

DVD links:

Footlight parade 1933 - A bravura exercise in song and dance

IMDB link: http://www.imdb.com/title/tt0024028/
IMDB rating: 7,7

Director: Lloyd Bacon
Main Cast: James Cagney, Joan Blondell, Ruby Keeler, Dick Powell

"The last - and to some aficionados, the best - of choreographer Busby Berkeley's three Warner Bros. efforts of 1933, Footlight Parade stars James Cagney as a Broadway musical comedy producer. As with many films of this type, the story is incidental, though the non-musical scenes benefit from a fine performance from James Cagney as a Broadway producer displaced by the film industry's transition to sound. In the early sound era, Warner Bros. was second only to MGM in opulent production values, and Footlight Parade outshines most films of its type from that era. Joan Blondell and Ruby Keeler are tops among the supporting cast, though there are no weak spots. Director Lloyd Bacon had a reputation for an efficient indifference to stylistic filmmaking. Here he has Berkeley and Cagney to create the style for him. he last half-hour of Footlight Parade is a nonstop display of Busby Berkeley at his most spectacular: the three big production numbers, all written by Harry Warren and Al Dubin, are 'By a Waterfall', 'Honeymoon Hotel', and 'Shanghai Lil', the latter featuring some delicious pre-code scatology, and a tap-dance duet by Cagney and Keeler. The result is what many critics consider one of the best musicals of the 1930s." - http://www.allmovie.com/movie/footlight-parade-v18113

DVD links: 

42nd Street 1933 - The quintessential backstage musical

IMDB link: http://www.imdb.com/title/tt0024034/
IMDB rating: 7,8

Director: Lloyd Bacon
Main Cast: Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell, Una Merkel, Guy Kibbee, Ginger Rogers

"If MGM's 1929 The Broadway Melody invented the musical, Warner Bros.' 42nd Street saved it. The four years between the two movies had seen the genre driven practically into the ground, as the studios, still struggling with synchronized sound and what to do about it, ground out one ill-advised musical after another, few terribly good as music and most even less impressive as movies. It had gotten so bad that by 1932, theater owners were protecting their box office with signs announcing, for any 'suspect' title, 'NOT A MUSICAL!' It was into that environment in 1933 that Warner Bros. released 42nd Street, directed by Lloyd Bacon and choreographed by Busby Berkeley - and it revived and revolutionized the whole musical genre, by taking it to the long-delayed next step. It was during the making of The Broadway Melody that filmmakers discovered that they could separate the shooting of a musical number from the recording of its music. Berkeley and cinematographer Sol Polito took this notion to the next step by removing the camera from the studio floor. Under their direction, shots were done from overhead angles and other locations from which no person could ever actually observe in real life, and the dancers' motions were, in turn, designed to exploit those angles; in effect, they created the true movie musical, as opposed to a musical that happened to be on film. Bacon's direction of the dialogue portions of the story, with both dramatic and comic content, was also very sure, no surprise for a man later responsible for dramas like The Fighting Sullivans and comedies with Red Skelton, which meant that the movie held up even when there was no dancing or singing on the screen; and when there was, the music by Harry Warren and Al Dubin was downright clever; and the acting, though a little broad by modern standards, was of first caliber, also unusual for a musical, ranging from serious dramatic lead Warner Baxter to comic relief from George E. Stone as the mousy, lecherous stage manager and Guy Kibbee's befuddled, lecherous backer, with Bebe Daniels, Ruby Keeler, and Ginger Rogers at their most delectable.
Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as 'Shuffle Off to Buffalo', 'Young and Healthy', and of course the title song. The audience devoured it, and Warner Bros., Berkeley, and company rose to the occasion of delivering more and better musicals like it for much of the rest of the decade.
Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach." - http://www.allmovie.com/movie/42nd-street-v258

DVD links:

Gold diggers of 1933 (1933) - The show of a thousand wonders

IMDB link: http://www.imdb.com/title/tt0024069/
IMDB rating: 8,2

Director: Mervyn LeRoy
Main Cast: Warren William, Joan Blondell, Ruby Keeler, Dick Powell, Ginger Rogers

"The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. Gold Diggers of 1933 adroitly intertwined a light-hearted yet gritty look at backstage shenanigans involving unemployed showgirls and potential moneymen with choreographer Busby Berkeley's outrageously lavish production numbers, replete with fluid camerawork and overhead compositions. Using the Great Depression rather than ignoring it, Mervyn LeRoy's crisply directed story hinged on survival in hard times, as romance blooms when the pragmatic chorines use their 'assets' to charm backers for a new show. Berkeley's 'We're in the Money', featuring coin-clad chorus girls and Ginger Rogers singing in pig Latin, and the cheekily smutty 'Pettin' in the Park' indicate the movie's dual focus on fiscal troubles and carnality. The downbeat finale, 'Remember My Forgotten Man', keeps the film rooted in 1930s reality, despite the escapism offered by Berkeley's visually innovative set pieces and the sweet Ruby Keeler-Dick Powell love story. Other Berkeley-staged musical highlights include the neon-dominated 'Shadow Waltz', all written by the prolific Harry Warren and Al Dubin. As spectacular as Gold Diggers of 1933 was, it would be topped by the last of Berkeley's 1933 trilogy, Footlight Parade." - http://www.allmovie.com/movie/gold-diggers-of-1933-v20140

DVD links: